Left Tackle Thayer by Barbour, Ralph Henry - CHAPTER XXV

(download Open eBook Format)

Left Tackle Thayer

CHAPTER XXV

VIC­TO­RY!

That oblique kick-​off had been pre­ar­ranged and by the time the Claflin right guard had called it his the Ma­roon-​and Grey for­wards were down on him. His fran­tic at­tempt to gath­er the ball in­to his arms failed and it bound­ed away to­ward the side line. Blais­dell fell on it a foot from the mark and Brim­field shout­ed joy­ful­ly. From Claflin's thir­ty-​six yards to her twen­ty the Brim­field backs car­ried the pigskin. There Roberts was caught hold­ing and the Ma­roon-​and-​Grey was set back. Har­ris fell back as if to kick and threw for­ward to Roberts on Claflin's twelve. Roberts caught, but was stopped for no more gain. The Brim­field stand cheered hoarse­ly and un­ceas­ing­ly, the cheer­lead­ers nev­er let­ting up for a mo­ment. Har­ris plugged the Claflin cen­tre for two, St. Clair got three around left tack­le and Har­ris made it first down on the Blue's two yards di­rect­ly in front of goal by a criss-​cross play through right guard. Brim­field went crazy then and cries of “Touch­down! Touch­down! Touch­down!” thun­dered across from the stand.

Carmine and Cap­tain Innes con­ferred. St. Clair was cho­sen to try the right tack­le. But there was no hole there and he lost a yard. Har­ris banged out less than two feet at right guard. St. Clair again tried right tack­le and got through for one. Har­ris fell back to kick. The stands qui­et­ed. Innes passed low and Har­ris took too much time. The ball bound­ed away from an up­stretched hand and Carmine fell on it at the twen­ty-​two yards.

Once more Brim­field took up the jour­ney. A for­ward-​pass to Ed­wards went short and Clint knocked it out of the ea­ger hands of a Claflin play­er. Two at­tempts by Kendall ad­vanced the ball but four yards and Har­ris again went back to kick­ing po­si­tion. He was on the twen­ty-​six yards and just to the left of the goal and Brim­field ful­ly ex­pect­ed a score. But when the ball went to him he tucked it un­der his arm and shot to the left in an ef­fort to skirt the end. The at­tempt just failed to gain the dis­tance and the ball went to Claflin on downs. The ma­roon-​and-​grey flags that a mo­ment be­fore had been wav­ing ri­otous­ly now wilt­ed de­ject­ed­ly.

Claflin failed to gain on two downs and punt­ed short to mid­field, where Carmine caught and elud­ed half the en­emy be­fore he was forced over the side line for a gain of eight yards. The ball was paced in at Claflin's forty-​six and Kendall, from kick for­ma­tion, got nine out­side right tack­le, Clint open­ing the hole. Har­ris made it first down. A for­ward-​pass, Carmine to Ed­wards, ground­ed. Carmine took the ball for four through cen­tre, St. Clair failed to gain and Har­ris punt­ed to the Blue's five-​yard line. Went­worth made a fair-​catch and punt­ed on sec­ond down, af­ter a plunge at right tack­le had net­ted two yards. Kendall caught and was stopped for no gain.

The ball was on Claflin's forty-​six yards. Har­ris, on a de­layed pass play, made three out­side left tack­le and Kendall got away for sev­en and first down. Kendall again got free around the left of the Blue's line and reeled off six more be­fore he was tack­led. He was hurt and Freer took his place. The lat­ter at once dis­tin­guished him­self by break­ing straight through the Claflin left guard for five yards, and it was first down again on the Blue's twen­ty-​five.

It seemed now that noth­ing was go­ing to stop the Brim­field ma­chine short of the goal line, for the of­fence it was show­ing was far su­pe­ri­or to any­thing ex­hib­it­ed that af­ter­noon by ei­ther team. Claflin was prov­ing weak­er at the ends of her line than ex­pect­ed and her tack­les were show­ing the strain. The end of the pe­ri­od sound­ed af­ter Freer had been stopped for a yard.

Claflin put in a new right guard and a fresh right tack­le and re­turned two of her for­mer men to the line. Coach Robey sent Hall back, but made no oth­er change. The teams doffed blan­kets once more and again faced each oth­er on the Blue's twen­ty-​four yards.

Claflin hoped for noth­ing bet­ter, per­haps, than a no-​score re­sult, for her at­tack had sev­er­al times failed to get un­der way and her op­po­nent seemed to be gain­ing strength rather than los­ing it. Carmine, act­ing un­der in­struc­tions from Coach Robey, now opened up his bag of tricks. A long side-​pass to Ed­wards, fol­lowed by a for­ward heave to Roberts, across the field, brought the Ma­roon-​and-​Grey sup­port­ers leap­ing to their feet, for Roberts caught the long pass high in the air, dodged a fran­tic Claflin end and raced straight to­ward the goal line. On­ly the fact that he slipped near the ten-​yard line pre­vent­ed a score then and there. That in­stant's fal­ter brought the en­emy down on him and, al­though he man­aged to squirm for­ward an­oth­er yard, he was stopped. But it looked a short dis­tance from the nine yards to the fi­nal white line, and Brim­field im­plored a touch­down.

Har­ris was hurled against the des­per­ate blue line and made a scant two yards, and was found thresh­ing his arms about when the play­ers were torn apart. Time was tak­en out and, af­ter the full-​back had been ad­min­is­tered to, he was sup­port­ed to the bench and the ea­ger Rollins can­tered on. Again came a be­wil­der­ing trick-​play, with a de­layed pass from Innes to Freer and a straight dash at the line by St. Clair af­ter a short lat­er­al pass. But, al­though Claflin's for­wards fal­tered, the sec­ondary de­fence came to the res­cue and St. Clair gained on­ly two yards. It was third down now, with five to go, and from both sides of the grid­iron came the im­plor­ing shout of the ri­val “root­ers.” Brim­field chant­ed “Touch­down! Touch­down!” and Claflin hoarse­ly begged her war­riors to “Hold 'em, Claflin! Hold 'em, Claflin!”

And Claflin held them!

With Har­ris out of the line-​up, Carmine hes­itat­ed to try a field-​goal, and when, af­ter an­oth­er yard and a half had been gained by Freer, the goal line was still al­most four yards away, he risked all on a for­ward-​pass. Ed­wards man­aged to sneak in­to po­si­tion be­yond the goal line, but Carmine's toss went wide and Claflin fell on the ball back of the post. Blue flags waved wild­ly then, while, across the dim­ming field, the Brim­field stand was silent and dis­ap­point­ed.

Six min­utes still re­mained of that fi­nal quar­ter, how­ev­er, and the Ma­roon-​and-​Grey took courage again. When the teams lined up once more Still was at left half, Trow at right tack­le and Thurs­by had tak­en Jack Innes's place. Claflin played des­per­ate­ly then and, al­most be­fore Brim­field re­alised it, had reached the mid­dle of the field. Trow was weak and sev­er­al gains were made past him. Thurs­by, too, had not found his pace. Claflin suc­ceed­ed with a short for­ward-​pass and twice made five-​and six-​yard gains around the Brim­field right end. But at the fifty-​yard line the Blue's Ad­vance was halt­ed and Claflin was forced to punt. The kick was short and high and went out near the Ma­roon-​and-​Grey's thir­ty-​yard line. Carmine hurled Freer at the cen­tre for four, the same play­er slid off left tack­le for three more and Carmine him­self made it first down on a wide end-​run. Once more Brim­field took up its jour­ney to­ward the dis­tant goal line.

Lat­er­al pass­es, for­ward pass­es, de­layed plays, all were used and all gained some­thing, while Freer and Still and Freer again slid past the tack­les, Carmine shot through here and there like a jack rab­bit and the slow­er-​mov­ing Rollins bucked the line for less spec­tac­ular gains. Past the cen­tre of the field rolled the Ma­roon-​and-​Grey, past the forty yards, past the thir­ty. Claflin fought tooth and nail, de­spair­ing­ly, des­per­ate­ly, long­ing for the whis­tle that should an­nounce the end.

Just past the thir­ty-​yard line Brim­field had a set­back and her progress was halt­ed when Gaffer­ty was caught off-​side. It be­came sec­ond down then with fif­teen to go and Rollins trot­ted back up the field and held his arms out. But Claflin wasn't look­ing for a punt on sec­ond down and so was not de­ceived as to her op­po­nent's in­ten­tions. What did de­ceive her, though, was the play that came off. For the ball was snapped to Freer, and Freer, af­ter run­ning across the field, passed back to Carmine and that youth, twist­ing on his heel, dashed straight in­to the con­fu­sion of friend and foe, dodg­ing, feint­ing, twist­ing, and emerged on the oth­er side and raced on for the goal line. But near the twen­ty he was brought low by a Claflin back, and it was third down and a half-​yard to go. Carmine pant­ing­ly de­mand­ed the time. The an­swer was two min­utes.

It was Still who got the nec­es­sary half-​yard, to­geth­er with a yard more for good mea­sure. Claflin halt­ed the game while an in­jured right end was nursed back to an in­ter­est in life, and in that in­ter­im Coach Robey sent in three sub­sti­tutes. Sher­rard went in for Ed­wards, Holt for Roberts, and Saun­ders, limp­ing a lit­tle, took the place of Trow at right tack­le. Clint had his head-​guard ready to hand over when he saw Saun­ders trot on and was more than sur­prised when the for­mer left tack­le passed him by and laid his hand on Trow's arm. Holt ev­ident­ly brought a mes­sage from Coach Robey, for he dragged Carmine back and whis­pered to him. What the in­struc­tions were was soon ap­par­ent, for when the whis­tle shrilled again the Ma­roon-​and-​Grey be­gan a re­lent­less ham­mer­ing of the Blue's left side, hurl­ing her backs at guard and tack­le, and, al­though Claflin sent her backs to the res­cue of the be­lea­guered for­wards, the gains came con­sis­tent­ly and grew longer and longer. The Ma­roon-​and-​Grey, on the eight yards now, was again de­mand­ing sur­ren­der.

Clint, with a swollen mouth and a piece of dirty sur­geon's plas­ter run­ning slant­wise above his right eye, pant­ing for breath, bathed in per­spi­ra­tion, watched his ad­ver­sary as Carmine yelped his sig­nals again. On­ly eight yards to go and four downs to do it in. Clint scent­ed vic­to­ry and his nerves grew tense as he wait­ed. Then he was push­ing and wrench­ing and once more the hole was opened wide and once more Freer, play­ing like a wild­cat, smashed past him. Clint fol­lowed through, met a Claflin back and sent him stag­ger­ing aside. Freer, tack­led but still fight­ing, dragged him­self on and on. And then the un­ex­pect­ed hap­pened.

“_Ball!_”

The shout came fran­ti­cal­ly from some­where and Clint saw the pigskin, squeezed from the half-​back's arms, bound in­to air. A blue-​sleeved arm shot to­ward it, and an­oth­er, but the ball, bounc­ing away from an ea­ger hand, went, turn­ing lazi­ly over and over in its flight, to­ward the side line. Clint turned swift­ly and pur­sued, el­bowed by oth­ers. He shot an arm out to the left and cleared his path. Cries and pound­ing foot­steps came to his ears. Away rolled the ball, spurn­ing the five-​yard line, seem­ing­ly bent on trick­ling out of bounds. A blue-​jer­seyed play­er tried to edge past Clint, but the lat­ter swung in front of him. Then he was on the ball, and up again with it tucked against his stom­ach, and was plung­ing to­ward the goal line, a scant six yards away! A Claflin man dived at him and strove to pin­ion his knees, but with a wrench Clint tore one leg free and stag­gered on an­oth­er stride. Arms clutched him about the shoul­ders and it seemed that he was pulling a ton of weight with him. Then there was a shock, his legs went from un­der him and he top­pled to earth. But as he fell, and as the last breath in his body seemed to leave him for­ev­er, he pushed the ball away from him at arm's length and set his fin­gers about it like so many vis­es! And that was the last he knew.

When he opened his eyes he was be­ing sloshed with wa­ter from a big, smelly sponge, and the train­er's lit­tle green eyes were above his.

“What is it?” he asked dazed­ly.

“It's a touch­down, my boy! A touch­down by a bare two inch­es! And how do you feel?”

Clint smiled as he closed his eyes again for a mo­ment and be­came aware that the sound which had be­fore seemed like the pound­ing of surf on the shore was the steady cheer­ing of Brim­field's sup­port­ers. “I feel--all right,” he an­swered, “and--and for the love of mud take that beast­ly sponge out of my mouth!”

The train­er chuck­led, and at that in­stant the cheer­ing rose to a new height of in­ten­si­ty.

“What's that?” asked Clint, strug­gling to get up.

“Rollins kicked goal,” was the an­swer. “Lie still a minute, boy.”

“Then--then we've won?” ex­claimed Clint, re­al­isa­tion of vic­to­ry pour­ing over him like a wave and set­ting his heart to thump­ing.

“We have; sev­en to noth­ing; and there goes the whis­tle and it's all over for an­oth­er year, thank Heav­en! And now you'd best get on your feet, for they'll be af­ter you in a minute!”

And they were, a score of them, with Amy in the lead, Amy laugh­ing and ju­bi­lant and dev­il-​may-​care! And Clint, protest­ing, still a bit faint and pale, but im­mea­sur­ably hap­py, was lift­ed to will­ing shoul­ders from where, a lit­tle vague­ly, he looked down up­on a sea of fran­ti­cal­ly cheer­ing youths who waved ma­roon-​and-​grey ban­ners and be­haved in the time-​hon­oured cus­tom of the con­queror.

“Gang­way!” shout­ed Amy. “Hold tight, Clint! Here we go, fel­lows! Gang­way!”

Clint's bear­ers broke in­to a sham­bling run, and Clint, clutch­ing tight­ly at Amy's neck, lurched and bobbed dizzi­ly as they hur­ried across the field. For an in­stant he caught a view of the grave­ly pleased coun­te­nance of Pen­ny Durkin. Pen­ny waved and was lost to sight again. Oth­er faces he knew swam past him. Smiles and shouts and wav­ing hands greet­ed him. Oth­er play­ers, caught be­fore es­cape was pos­si­ble, were sway­ing about in front of the stand where Brim­field was form­ing in­to a pro­ces­sion to march in tri­umph about the tram­pled field of bat­tle. Straight for the head of the pa­rade scut­tled Amy and his co­horts. “Gang­way!” bab­bled Amy. “Let us through here!”

“Amy!” re­mon­strat­ed Clint. “Let me down, you crazy In­di­an! I--I'm tired!”

“Let you down!” cried Amy in­cred­ulous­ly. “Not much! You're a bloomin' hero, Clint, and you've got to act the part. You're the chap who knocked the 'laf' out of Claflin! Hold your head up now and look like Napoleon!”

“But, Amy, hon­est--”

“Shut up and don't queer the show! Gang­way! Gang­way for Left Tack­le Thay­er!”

THE END

End of Project Guten­berg's Left Tack­le Thay­er, by Ralph Hen­ry Bar­bour

*** END OF THIS PROJECT GUTEN­BERG EBOOK LEFT TACK­LE THAY­ER ***

***** This file should be named 13542.txt or 13542.zip ***** This and all as­so­ci­at­ed files of var­ious for­mats will be found in: http://www.guten­berg.net/1/3/5/4/13542/

Pro­duced by Juli­et Suther­land, Char­lie Kirschn­er and the PG On­line Dis­tribut­ed Proof­read­ing Team.

Up­dat­ed edi­tions will re­place the pre­vi­ous one--the old edi­tions will be re­named.

Cre­at­ing the works from pub­lic do­main print edi­tions means that no one owns a Unit­ed States copy­right in these works, so the Foun­da­tion (and you!) can copy and dis­tribute it in the Unit­ed States with­out per­mis­sion and with­out pay­ing copy­right roy­al­ties. Spe­cial rules, set forth in the Gen­er­al Terms of Use part of this li­cense, ap­ply to copy­ing and dis­tribut­ing Project Guten­berg-​tm elec­tron­ic works to pro­tect the PROJECT GUTEN­BERG-​tm con­cept and trade­mark. Project Guten­berg is a reg­is­tered trade­mark, and may not be used if you charge for the eBooks, un­less you re­ceive spe­cif­ic per­mis­sion. If you do not charge any­thing for copies of this eBook, com­ply­ing with the rules is very easy. You may use this eBook for near­ly any pur­pose such as cre­ation of deriva­tive works, re­ports, per­for­mances and re­search. They may be mod­ified and print­ed and giv­en away--you may do prac­ti­cal­ly ANY­THING with pub­lic do­main eBooks. Re­dis­tri­bu­tion is sub­ject to the trade­mark li­cense, es­pe­cial­ly com­mer­cial re­dis­tri­bu­tion.

*** START: FULL LI­CENSE ***

THE FULL PROJECT GUTEN­BERG LI­CENSE PLEASE READ THIS BE­FORE YOU DIS­TRIBUTE OR USE THIS WORK

To pro­tect the Project Guten­berg-​tm mis­sion of pro­mot­ing the free dis­tri­bu­tion of elec­tron­ic works, by us­ing or dis­tribut­ing this work (or any oth­er work as­so­ci­at­ed in any way with the phrase “Project Guten­berg”), you agree to com­ply with all the terms of the Full Project Guten­berg-​tm Li­cense (avail­able with this file or on­line at http://guten­berg.net/li­cense).

Sec­tion 1. Gen­er­al Terms of Use and Re­dis­tribut­ing Project Guten­berg-​tm elec­tron­ic works

1.A. By read­ing or us­ing any part of this Project Guten­berg-​tm elec­tron­ic work, you in­di­cate that you have read, un­der­stand, agree to and ac­cept all the terms of this li­cense and in­tel­lec­tu­al prop­er­ty (trade­mark/copy­right) agree­ment. If you do not agree to abide by all the terms of this agree­ment, you must cease us­ing and re­turn or de­stroy all copies of Project Guten­berg-​tm elec­tron­ic works in your pos­ses­sion. If you paid a fee for ob­tain­ing a copy of or ac­cess to a Project Guten­berg-​tm elec­tron­ic work and you do not agree to be bound by the terms of this agree­ment, you may ob­tain a re­fund from the per­son or en­ti­ty to whom you paid the fee as set forth in para­graph 1.E.8.

1.B. “Project Guten­berg” is a reg­is­tered trade­mark. It may on­ly be used on or as­so­ci­at­ed in any way with an elec­tron­ic work by peo­ple who agree to be bound by the terms of this agree­ment. There are a few things that you can do with most Project Guten­berg-​tm elec­tron­ic works even with­out com­ply­ing with the full terms of this agree­ment. See para­graph 1.C be­low. There are a lot of things you can do with Project Guten­berg-​tm elec­tron­ic works if you fol­low the terms of this agree­ment and help pre­serve free fu­ture ac­cess to Project Guten­berg-​tm elec­tron­ic works. See para­graph 1.E be­low.

1.C. The Project Guten­berg Lit­er­ary Archive Foun­da­tion (“the Foun­da­tion” or PGLAF), owns a com­pi­la­tion copy­right in the col­lec­tion of Project Guten­berg-​tm elec­tron­ic works. Near­ly all the in­di­vid­ual works in the col­lec­tion are in the pub­lic do­main in the Unit­ed States. If an in­di­vid­ual work is in the pub­lic do­main in the Unit­ed States and you are lo­cat­ed in the Unit­ed States, we do not claim a right to pre­vent you from copy­ing, dis­tribut­ing, per­form­ing, dis­play­ing or cre­at­ing deriva­tive works based on the work as long as all ref­er­ences to Project Guten­berg are re­moved. Of course, we hope that you will sup­port the Project Guten­berg-​tm mis­sion of pro­mot­ing free ac­cess to elec­tron­ic works by freely shar­ing Project Guten­berg-​tm works in com­pli­ance with the terms of this agree­ment for keep­ing the Project Guten­berg-​tm name as­so­ci­at­ed with the work. You can eas­ily com­ply with the terms of this agree­ment by keep­ing this work in the same for­mat with its at­tached full Project Guten­berg-​tm Li­cense when you share it with­out charge with oth­ers.

1.D. The copy­right laws of the place where you are lo­cat­ed al­so gov­ern what you can do with this work. Copy­right laws in most coun­tries are in a con­stant state of change. If you are out­side the Unit­ed States, check the laws of your coun­try in ad­di­tion to the terms of this agree­ment be­fore down­load­ing, copy­ing, dis­play­ing, per­form­ing, dis­tribut­ing or cre­at­ing deriva­tive works based on this work or any oth­er Project Guten­berg-​tm work. The Foun­da­tion makes no rep­re­sen­ta­tions con­cern­ing the copy­right sta­tus of any work in any coun­try out­side the Unit­ed States.

1.E. Un­less you have re­moved all ref­er­ences to Project Guten­berg:

1.E.1. The fol­low­ing sen­tence, with ac­tive links to, or oth­er im­me­di­ate ac­cess to, the full Project Guten­berg-​tm Li­cense must ap­pear promi­nent­ly when­ev­er any copy of a Project Guten­berg-​tm work (any work on which the phrase “Project Guten­berg” ap­pears, or with which the phrase “Project Guten­berg” is as­so­ci­at­ed) is ac­cessed, dis­played, per­formed, viewed, copied or dis­tribut­ed:

This eBook is for the use of any­one any­where at no cost and with al­most no re­stric­tions what­so­ev­er. You may copy it, give it away or re-​use it un­der the terms of the Project Guten­berg Li­cense in­clud­ed with this eBook or on­line at www.guten­berg.net

1.E.2. If an in­di­vid­ual Project Guten­berg-​tm elec­tron­ic work is de­rived from the pub­lic do­main (does not con­tain a no­tice in­di­cat­ing that it is post­ed with per­mis­sion of the copy­right hold­er), the work can be copied and dis­tribut­ed to any­one in the Unit­ed States with­out pay­ing any fees or charges. If you are re­dis­tribut­ing or pro­vid­ing ac­cess to a work with the phrase “Project Guten­berg” as­so­ci­at­ed with or ap­pear­ing on the work, you must com­ply ei­ther with the re­quire­ments of para­graphs 1.E.1 through 1.E.7 or ob­tain per­mis­sion for the use of the work and the Project Guten­berg-​tm trade­mark as set forth in para­graphs 1.E.8 or 1.E.9.

1.E.3. If an in­di­vid­ual Project Guten­berg-​tm elec­tron­ic work is post­ed with the per­mis­sion of the copy­right hold­er, your use and dis­tri­bu­tion must com­ply with both para­graphs 1.E.1 through 1.E.7 and any ad­di­tion­al terms im­posed by the copy­right hold­er. Ad­di­tion­al terms will be linked to the Project Guten­berg-​tm Li­cense for all works post­ed with the per­mis­sion of the copy­right hold­er found at the be­gin­ning of this work.

1.E.4. Do not un­link or de­tach or re­move the full Project Guten­berg-​tm Li­cense terms from this work, or any files con­tain­ing a part of this work or any oth­er work as­so­ci­at­ed with Project Guten­berg-​tm.

1.E.5. Do not copy, dis­play, per­form, dis­tribute or re­dis­tribute this elec­tron­ic work, or any part of this elec­tron­ic work, with­out promi­nent­ly dis­play­ing the sen­tence set forth in para­graph 1.E.1 with ac­tive links or im­me­di­ate ac­cess to the full terms of the Project Guten­berg-​tm Li­cense.

1.E.6. You may con­vert to and dis­tribute this work in any bi­na­ry, com­pressed, marked up, non­pro­pri­etary or pro­pri­etary form, in­clud­ing any word pro­cess­ing or hy­per­text form. How­ev­er, if you pro­vide ac­cess to or dis­tribute copies of a Project Guten­berg-​tm work in a for­mat oth­er than “Plain Vanil­la ASCII” or oth­er for­mat used in the of­fi­cial ver­sion post­ed on the of­fi­cial Project Guten­berg-​tm web site (www.guten­berg.net), you must, at no ad­di­tion­al cost, fee or ex­pense to the us­er, pro­vide a copy, a means of ex­port­ing a copy, or a means of ob­tain­ing a copy up­on re­quest, of the work in its orig­inal “Plain Vanil­la ASCII” or oth­er form. Any al­ter­nate for­mat must in­clude the full Project Guten­berg-​tm Li­cense as spec­ified in para­graph 1.E.1.

1.E.7. Do not charge a fee for ac­cess to, view­ing, dis­play­ing, per­form­ing, copy­ing or dis­tribut­ing any Project Guten­berg-​tm works un­less you com­ply with para­graph 1.E.8 or 1.E.9.

1.E.8. You may charge a rea­son­able fee for copies of or pro­vid­ing ac­cess to or dis­tribut­ing Project Guten­berg-​tm elec­tron­ic works pro­vid­ed that

- You pay a roy­al­ty fee of 20% of the gross prof­its you de­rive from the use of Project Guten­berg-​tm works cal­cu­lat­ed us­ing the method you al­ready use to cal­cu­late your ap­pli­ca­ble tax­es. The fee is owed to the own­er of the Project Guten­berg-​tm trade­mark, but he has agreed to do­nate roy­al­ties un­der this para­graph to the Project Guten­berg Lit­er­ary Archive Foun­da­tion. Roy­al­ty pay­ments must be paid with­in 60 days fol­low­ing each date on which you pre­pare (or are legal­ly re­quired to pre­pare) your pe­ri­od­ic tax re­turns. Roy­al­ty pay­ments should be clear­ly marked as such and sent to the Project Guten­berg Lit­er­ary Archive Foun­da­tion at the ad­dress spec­ified in Sec­tion 4, “In­for­ma­tion about do­na­tions to the Project Guten­berg Lit­er­ary Archive Foun­da­tion.”

- You pro­vide a full re­fund of any mon­ey paid by a us­er who no­ti­fies you in writ­ing (or by e-​mail) with­in 30 days of re­ceipt that s/he does not agree to the terms of the full Project Guten­berg-​tm Li­cense. You must re­quire such a us­er to re­turn or de­stroy all copies of the works pos­sessed in a phys­ical medi­um and dis­con­tin­ue all use of and all ac­cess to oth­er copies of Project Guten­berg-​tm works.

- You pro­vide, in ac­cor­dance with para­graph 1.F.3, a full re­fund of any mon­ey paid for a work or a re­place­ment copy, if a de­fect in the elec­tron­ic work is dis­cov­ered and re­port­ed to you with­in 90 days of re­ceipt of the work.

- You com­ply with all oth­er terms of this agree­ment for free dis­tri­bu­tion of Project Guten­berg-​tm works.

1.E.9. If you wish to charge a fee or dis­tribute a Project Guten­berg-​tm elec­tron­ic work or group of works on dif­fer­ent terms than are set forth in this agree­ment, you must ob­tain per­mis­sion in writ­ing from both the Project Guten­berg Lit­er­ary Archive Foun­da­tion and Michael Hart, the own­er of the Project Guten­berg-​tm trade­mark. Con­tact the Foun­da­tion as set forth in Sec­tion 3 be­low.

1.F.

1.F.1. Project Guten­berg vol­un­teers and em­ploy­ees ex­pend con­sid­er­able ef­fort to iden­ti­fy, do copy­right re­search on, tran­scribe and proof­read pub­lic do­main works in cre­at­ing the Project Guten­berg-​tm col­lec­tion. De­spite these ef­forts, Project Guten­berg-​tm elec­tron­ic works, and the medi­um on which they may be stored, may con­tain “De­fects,” such as, but not lim­it­ed to, in­com­plete, in­ac­cu­rate or cor­rupt da­ta, tran­scrip­tion er­rors, a copy­right or oth­er in­tel­lec­tu­al prop­er­ty in­fringe­ment, a de­fec­tive or dam­aged disk or oth­er medi­um, a com­put­er virus, or com­put­er codes that dam­age or can­not be read by your equip­ment.

1.F.2. LIM­IT­ED WAR­RAN­TY, DIS­CLAIMER OF DAM­AGES - Ex­cept for the “Right of Re­place­ment or Re­fund” de­scribed in para­graph 1.F.3, the Project Guten­berg Lit­er­ary Archive Foun­da­tion, the own­er of the Project Guten­berg-​tm trade­mark, and any oth­er par­ty dis­tribut­ing a Project Guten­berg-​tm elec­tron­ic work un­der this agree­ment, dis­claim all li­abil­ity to you for dam­ages, costs and ex­pens­es, in­clud­ing le­gal fees. YOU AGREE THAT YOU HAVE NO REME­DIES FOR NEG­LI­GENCE, STRICT LI­ABIL­ITY, BREACH OF WAR­RAN­TY OR BREACH OF CON­TRACT EX­CEPT THOSE PRO­VID­ED IN PARA­GRAPH F3. YOU AGREE THAT THE FOUN­DA­TION, THE TRADE­MARK OWN­ER, AND ANY DIS­TRIB­UTOR UN­DER THIS AGREE­MENT WILL NOT BE LI­ABLE TO YOU FOR AC­TU­AL, DI­RECT, IN­DI­RECT, CON­SE­QUEN­TIAL, PUNI­TIVE OR IN­CI­DEN­TAL DAM­AGES EVEN IF YOU GIVE NO­TICE OF THE POS­SI­BIL­ITY OF SUCH DAM­AGE.

1.F.3. LIM­IT­ED RIGHT OF RE­PLACE­MENT OR RE­FUND - If you dis­cov­er a de­fect in this elec­tron­ic work with­in 90 days of re­ceiv­ing it, you can re­ceive a re­fund of the mon­ey (if any) you paid for it by send­ing a writ­ten ex­pla­na­tion to the per­son you re­ceived the work from. If you re­ceived the work on a phys­ical medi­um, you must re­turn the medi­um with your writ­ten ex­pla­na­tion. The per­son or en­ti­ty that pro­vid­ed you with the de­fec­tive work may elect to pro­vide a re­place­ment copy in lieu of a re­fund. If you re­ceived the work elec­tron­ical­ly, the per­son or en­ti­ty pro­vid­ing it to you may choose to give you a sec­ond op­por­tu­ni­ty to re­ceive the work elec­tron­ical­ly in lieu of a re­fund. If the sec­ond copy is al­so de­fec­tive, you may de­mand a re­fund in writ­ing with­out fur­ther op­por­tu­ni­ties to fix the prob­lem.

1.F.4. Ex­cept for the lim­it­ed right of re­place­ment or re­fund set forth in para­graph 1.F.3, this work is pro­vid­ed to you 'AS-​IS' WITH NO OTH­ER WAR­RANTIES OF ANY KIND, EX­PRESS OR IM­PLIED, IN­CLUD­ING BUT NOT LIM­IT­ED TO WAR­RANTIES OF MER­CHAN­TIBIL­ITY OR FIT­NESS FOR ANY PUR­POSE.

1.F.5. Some states do not al­low dis­claimers of cer­tain im­plied war­ranties or the ex­clu­sion or lim­ita­tion of cer­tain types of dam­ages. If any dis­claimer or lim­ita­tion set forth in this agree­ment vi­olates the law of the state ap­pli­ca­ble to this agree­ment, the agree­ment shall be in­ter­pret­ed to make the max­imum dis­claimer or lim­ita­tion per­mit­ted by the ap­pli­ca­ble state law. The in­va­lid­ity or un­en­force­abil­ity of any pro­vi­sion of this agree­ment shall not void the re­main­ing pro­vi­sions.

1.F.6. IN­DEM­NI­TY - You agree to in­dem­ni­fy and hold the Foun­da­tion, the trade­mark own­er, any agent or em­ploy­ee of the Foun­da­tion, any­one pro­vid­ing copies of Project Guten­berg-​tm elec­tron­ic works in ac­cor­dance with this agree­ment, and any vol­un­teers as­so­ci­at­ed with the pro­duc­tion, pro­mo­tion and dis­tri­bu­tion of Project Guten­berg-​tm elec­tron­ic works, harm­less from all li­abil­ity, costs and ex­pens­es, in­clud­ing le­gal fees, that arise di­rect­ly or in­di­rect­ly from any of the fol­low­ing which you do or cause to oc­cur: (a) dis­tri­bu­tion of this or any Project Guten­berg-​tm work, (b) al­ter­ation, mod­ifi­ca­tion, or ad­di­tions or dele­tions to any Project Guten­berg-​tm work, and (c) any De­fect you cause.

Sec­tion 2. In­for­ma­tion about the Mis­sion of Project Guten­berg-​tm

Project Guten­berg-​tm is syn­ony­mous with the free dis­tri­bu­tion of elec­tron­ic works in for­mats read­able by the widest va­ri­ety of com­put­ers in­clud­ing ob­so­lete, old, mid­dle-​aged and new com­put­ers. It ex­ists be­cause of the ef­forts of hun­dreds of vol­un­teers and do­na­tions from peo­ple in all walks of life.

Vol­un­teers and fi­nan­cial sup­port to pro­vide vol­un­teers with the as­sis­tance they need, is crit­ical to reach­ing Project Guten­berg-​tm's goals and en­sur­ing that the Project Guten­berg-​tm col­lec­tion will re­main freely avail­able for gen­er­ations to come. In 2001, the Project Guten­berg Lit­er­ary Archive Foun­da­tion was cre­at­ed to pro­vide a se­cure and per­ma­nent fu­ture for Project Guten­berg-​tm and fu­ture gen­er­ations. To learn more about the Project Guten­berg Lit­er­ary Archive Foun­da­tion and how your ef­forts and do­na­tions can help, see Sec­tions 3 and 4 and the Foun­da­tion web page at http://www.pglaf.org.

Sec­tion 3. In­for­ma­tion about the Project Guten­berg Lit­er­ary Archive Foun­da­tion

The Project Guten­berg Lit­er­ary Archive Foun­da­tion is a non prof­it 501(c)(3) ed­uca­tion­al cor­po­ra­tion or­ga­nized un­der the laws of the state of Mis­sis­sip­pi and grant­ed tax ex­empt sta­tus by the In­ter­nal Rev­enue Ser­vice. The Foun­da­tion's EIN or fed­er­al tax iden­ti­fi­ca­tion num­ber is 64-6221541. Its 501(c)(3) let­ter is post­ed at http://pglaf.org/fundrais­ing. Con­tri­bu­tions to the Project Guten­berg Lit­er­ary Archive Foun­da­tion are tax de­ductible to the full ex­tent per­mit­ted by U.S. fed­er­al laws and your state's laws.

The Foun­da­tion's prin­ci­pal of­fice is lo­cat­ed at 4557 Melan Dr. S. Fair­banks, AK, 99712., but its vol­un­teers and em­ploy­ees are scat­tered through­out nu­mer­ous lo­ca­tions. Its busi­ness of­fice is lo­cat­ed at 809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email busi­ness@pglaf.org. Email con­tact links and up to date con­tact in­for­ma­tion can be found at the Foun­da­tion's web site and of­fi­cial page at http://pglaf.org

For ad­di­tion­al con­tact in­for­ma­tion: Dr. Gre­go­ry B. New­by Chief Ex­ec­utive and Di­rec­tor gb­new­by@pglaf.org

Sec­tion 4. In­for­ma­tion about Do­na­tions to the Project Guten­berg Lit­er­ary Archive Foun­da­tion

Project Guten­berg-​tm de­pends up­on and can­not sur­vive with­out wide spread pub­lic sup­port and do­na­tions to car­ry out its mis­sion of in­creas­ing the num­ber of pub­lic do­main and li­censed works that can be freely dis­tribut­ed in ma­chine read­able form ac­ces­si­ble by the widest ar­ray of equip­ment in­clud­ing out­dat­ed equip­ment. Many small do­na­tions ($1 to $5,000) are par­tic­ular­ly im­por­tant to main­tain­ing tax ex­empt sta­tus with the IRS.

The Foun­da­tion is com­mit­ted to com­ply­ing with the laws reg­ulat­ing char­ities and char­ita­ble do­na­tions in all 50 states of the Unit­ed States. Com­pli­ance re­quire­ments are not uni­form and it takes a con­sid­er­able ef­fort, much pa­per­work and many fees to meet and keep up with these re­quire­ments. We do not so­lic­it do­na­tions in lo­ca­tions where we have not re­ceived writ­ten con­fir­ma­tion of com­pli­ance. To SEND DO­NA­TIONS or de­ter­mine the sta­tus of com­pli­ance for any par­tic­ular state vis­it http://pglaf.org

While we can­not and do not so­lic­it con­tri­bu­tions from states where we have not met the so­lic­ita­tion re­quire­ments, we know of no pro­hi­bi­tion against ac­cept­ing un­so­licit­ed do­na­tions from donors in such states who ap­proach us with of­fers to do­nate.

In­ter­na­tion­al do­na­tions are grate­ful­ly ac­cept­ed, but we can­not make any state­ments con­cern­ing tax treat­ment of do­na­tions re­ceived from out­side the Unit­ed States. U.S. laws alone swamp our small staff.

Please check the Project Guten­berg Web pages for cur­rent do­na­tion meth­ods and ad­dress­es. Do­na­tions are ac­cept­ed in a num­ber of oth­er ways in­clud­ing in­clud­ing checks, on­line pay­ments and cred­it card do­na­tions. To do­nate, please vis­it: http://pglaf.org/do­nate

Sec­tion 5. Gen­er­al In­for­ma­tion About Project Guten­berg-​tm elec­tron­ic works.

Pro­fes­sor Michael S. Hart is the orig­ina­tor of the Project Guten­berg-​tm con­cept of a li­brary of elec­tron­ic works that could be freely shared with any­one. For thir­ty years, he pro­duced and dis­tribut­ed Project Guten­berg-​tm eBooks with on­ly a loose net­work of vol­un­teer sup­port.

Project Guten­berg-​tm eBooks are of­ten cre­at­ed from sev­er­al print­ed edi­tions, all of which are con­firmed as Pub­lic Do­main in the U.S. un­less a copy­right no­tice is in­clud­ed. Thus, we do not nec­es­sar­ily keep eBooks in com­pli­ance with any par­tic­ular pa­per edi­tion.

Most peo­ple start at our Web site which has the main PG search fa­cil­ity:

http://www.guten­berg.net