CONCLUSION
But they never met.
And they lived happily ever after.
MRS. UPTON'S DEVICE
A TALE OF MATCH-MAKING
I
THE RESOLVE
“For when two Join in the same adventure, one perceives Before the other how they ought to act.”
--BRYANT.
Mrs. Upton had made up her mind that it must be, and that was the beginning of the end. The charming match-maker had not indulged her passion for making others happy, willy-nilly, for some time--not, in fact, since she had arranged the match between Marie Willoughby and Jack Hearst, which, as the world knows, resulted first in a marriage, and then, as the good lady had not foreseen, in a South Dakota divorce. This unfortunate termination to her well-meant efforts in behalf of the unhappy pair was a severe blow to Mrs. Upton. She had been for many years the busiest of match-makers, and seldom had she failed to bring about desirable results. In the homes of a large number of happy pairs her name was blessed for all that she had done, and until this no unhappy marriage had ever come from her efforts. One or two engagements of her designing had failed to eventuate, owing to complications over which she had no control, and with which she was in no way concerned; but that was merely one of the risks of the business in which she was engaged. The most expert artisan sometimes finds that he has made a failure of some cherished bit of work, but he does not cease to pursue his vocation because of that. So it was with Mrs. Upton, and when some of her plans went askew, and two young persons whom she had designed for each other chose to take two other young people into their hearts instead, she accepted the situation with a merely negative feeling of regret. But when she realized that it was she who had brought Marie Willoughby and Jack Hearst together, and had, beyond all question, made the match which resulted so unhappily, then was Mrs. Upton's regret and sorrow of so positive a nature that she practically renounced her chief occupation in life.
“I'll never, never, never, so long as I live, have anything more to do with bringing about marriages!” she cried, tearfully, to her husband, when that worthy gentleman showed her a despatch in the evening paper to the effect that Mr. and Mrs. Jack had invoked the Western courts to free them from a contract which had grown irksome to both. “I shall not even help the most despairing lover over a misunderstanding which may result in two broken hearts. I'm through. The very idea of Marie Willoughby and Johnny Hearst not being able to get along together is preposterous. Why, they were made for each other.”
“I haven't a doubt of it,” returned Upton, with whom it was a settled principle of life always to agree with his better half. “But sometimes there's a flaw in the workmanship, my dear, and while Marie may have been made for Jack, and Jack for Marie, it is just possible that the materials were not up to the specifications.”
“Well, it's a burning shame, anyhow,” said Mrs. Upton, “and I'll never make another match.”
“That's good,” said Upton. “I wouldn't--or, if I did, I'd see to it that it was a safety, instead of a fusee that burns fiercely for a minute and then goes out altogether. Stick to vestas.”
“I don't know what you mean by vestas, but I'm through just the same,” retorted Mrs. Upton; and she really was--for five years.
“Vestas are nice quiet matches that don't splurge and splutter. They give satisfaction to everybody. They burn evenly, and are altogether the swell thing in matches--and their heads don't fly off either,” Upton explained.
“Well, I won't make even a vesta, you old goose,” said Mrs. Upton, smiling faintly.
“You've made one, and it's a beauty,” observed Upton, quietly, referring of course to their own case.
So, as I have said, Mrs. Upton forswore her match-making propensities for a period of five years, and people noting the fact marvelled greatly at her strength of character in keeping her hands out of matters in which they had once done such notable service. And it did indeed require much force of character in Mrs. Upton to hold herself aloof from the matrimonial ventures of others; for, although she was now a woman close upon forty, she had still the feelings of youth; she was fond of the society of young people, and had been for a long time the best-beloved chaperon in the community. It was hard for her to watch a growing romance and not help it along as she had done of yore; and many a time did her lips withhold the words that trembled upon them--words which would have furthered the fortunes of a worthy suitor to a waiting hand--but she had resolved, and there was the end of it.
It is history, however, that the strongest characters will at times falter and fall, and so it was with Mrs. Upton and her resolution finally. There came a time when the pressure was too strong to be resisted.
“I can't help it, Henry,” she said, as she thought it all over, and saw wherein her duty lay. “We must bring Molly Meeker and Walter together. He is just the sort of a man for her; and if there is one thing he needs more than another to round out his character, it is a wife like Molly.”
“Remember your oath, my dear,” replied Upton.
“But this will be a vesta, Henry,” smiled Mrs. Upton. “Walter and you are very much alike, and you said the other night that Molly reminded you of me--sometimes.”
“That's true,” said Upton. “She does--that's what I like about her--but, after all, she isn't you. A mill-pond might remind you at times of a great and beautiful lake, but it wouldn't be the lake, you know. I grant that Walter and I are alike as two peas, but I deny that Molly can hold a candle to you.”
“Oh you!” snapped Mrs. Upton. “Haven't you got your eyes opened to my faults yet?”
“Yessum,” said Upton. “They're great, and I couldn't get along without 'em, but I wouldn't stand them for five minutes if I'd married Molly Meeker instead of you. You'd better keep out of this. Stick to your resolution. Let Molly choose her own husband, and Walter his wife. You never can tell how things are going to turn out. Why, I introduced Willie Timpkins to George Barker at the club one night last winter, feeling that there were two fellows who were designed by Providence for the old Damon and Pythias performance, and it wasn't ten minutes before they were quarrelling like a couple of cats, and every time they meet nowadays they have to be introduced all over again.”
“I don't wonder at that at all,” said Mrs. Upton. “Willie Timpkins is precisely the same kind of a person that George Barker is, and when they meet each other and realize that they are exactly alike, and see how sort of small and mean they really are, it destroys their self-love.”
“I never saw it in that light before,” said Upton, reflectively, “but I imagine you are right. There's lots in that. If a man really wrote down on paper his candid opinion of himself, he'd have a good case for slander against the publisher who printed it--I guess.”
“I should think you'd have known better than to bring those two together, and under the circumstances I don't wonder they hate each other,” said Mrs. Upton.
“Sympathy ought to count for something,” pleaded Upton. “Don't you think?”
“Of course,” replied Mrs. Upton; “but a man wants to sympathize with the other fellow, not with himself. If you were a woman you'd understand that a little better. But to return to Molly and Walter--don't you think they really were made for each other?”
“No, I don't,” said Upton. “I don't believe that anybody ever was made for anybody else. On that principle every baby that is born ought to be labelled: _Fragile. Please forward to Soandso_. This 'made-for-each-other' business makes me tired. It's predestination all over again, which is good enough for an express package, but doesn't go where souls are involved. Suppose that through some circumstance over which he has no control a Michigan man was made for a Russian girl--how the deuce is she to get him?”
“That's all nonsense, Henry,” said Mrs. Upton, impatiently. “I don't know why,” observed Upton. “I can quite understand how a Michigan man might make a first-rate husband for a Russian girl. Your idea involves the notion of affinity, and if I know anything about affinities, they have to go chasing each other through the universe for cycle after cycle, in the hope of some day meeting--and it's all beastly nonsense. My affinity might be Delilah, and Samson's your beautiful self; but I'll tell you, on my own responsibility, that if I had caught Samson hanging about your father's house during my palmy days I'd have thrashed the life out of him, whether his hair was short or long, and don't you forget it, Mrs. Upton.”
Mrs. Upton laughed heartily. “I've no doubt you could have done it, my dear Henry,” said she. “I'd have helped you, anyhow. But affinities or not, we are placed here for a certain purpose--”
“I presume so,” said Upton. “I haven't found out what it is, but I'm satisfied.”
“Yes--and so am I. Now,” continued Mrs. Upton, “I think that we all ought to help each other along. Whether I am your affinity or not, or whether you are mine--”
“I _am_ yours--for keeps, too,” said Upton. “I shall be just as attentive in heaven, where marriage is not recognized, as I am here, if I hang for it.”
“Well--however that may be, we have this life to live, and we should go about it in the best way possible. Now I believe that Walter will be more of a man, will accomplish more in the end, if he marries Molly than he will as a bachelor, or if he married--Jennie Perkins, for instance, who is so much of a manly woman that she has no sympathy with either sex.”
“Right!” said Upton.
“You like Walter, don't you, and want him to succeed?”
“I do.”
“You realize that an unmarried physician hasn't more than half a chance?”
“Unfortunately yes,” said Upton. “Though I don't agree that a man can cut your leg off more expertly or carry you through the measles more successfully just because he has happened to get married. As a matter of fact, when I have my leg cut off I want it to be done by a man who hasn't been kept awake all night by the squalling of his lately arrived son.”
“Nevertheless,” said Mrs. Upton, “society decrees that a doctor needs a wife to round him out. There's no disputing that fact--and it is perfectly proper. Bachelors may know all about the science of medicine, and make a fair showing in surgery, but it isn't until a man is married that he becomes the wholly successful practitioner who inspires confidence.”
“I suppose it's so,” said Upton. “No doubt of it. A man who has suffered always does do better--”
“Henry!” ejaculated Mrs. Upton, severely. “Remember this: I didn't marry you because I thought you were a cynic. Now Walter as a young physician needs a wife--”
“I suppose he's got to have somebody to confide professional secrets to,” said Upton.
“That may be the reason for it,” observed Mrs. Upton; “but whatever the reason, it is a fact. He needs a wife, and I propose that he shall have one; and it is very important that he should get the right one.”
“Are you going to propose to the girl in his behalf?” queried Henry.
“No; but I think he's a man of sense, and I know Molly is. Now I propose to bring them together, and to throw them at each other's heads in such a way that they won't either of them guess that I am doing it--”
“Now, my dear,” interrupted Upton, “don't! Don't try any throwing. You know as well as I do that no woman can throw straight. If you throw Molly Meeker at Walter's head--”
“I may strike his heart. Precisely!” said Mrs. Upton, triumphantly. “And that's all I want. Then we shall have a beautiful wedding,” she added, with enthusiasm. “We'll give a little dinner on the 18th--a nice informal dinner. We'll invite the Jacksons and the Peltons and Molly and Walter. They will meet, fall in love like sensible people, and there you are.”
“I guess it's all right,” said Upton, “though to fall in love sensibly isn't possible, my dear. What people who get married ought to do is to fall unreasonably, madly in love--”
But Mrs. Upton did not listen. She was already at her escritoire, writing the invitations for the little dinner.
II
A SUCCESSFUL CASE
“The pleasantest angling is to see the fish ... greedily devour the treacherous bait.” --_Much Ado about Nothing_.
The invitations to Mrs. Upton's little dinner were speedily despatched by the strategic maker of matches, and, to her great delight, were one and all accepted with commendable promptness, as dinner invitations are apt to be. The night came, and with it came also the unsuspecting young doctor and the equally unsuspicious Miss Meeker. Everything was charming. The Jacksons were pleased with the Peltons, and the Peltons were pleased with the Jacksons, and, best of all, Walter was pleased with Miss Meeker, while she was not wholly oblivious to his existence. She even quoted something he happened to say at the table, after the ladies had retired, leaving the men to their cigars, and had added that “_that_ was the way she liked to hear a man talk”--all of which was very encouraging to the well-disposed spider who was weaving the web for these two particular flies. As for Bliss--Walter Bliss, M.D.--he was very much impressed; so much so, indeed, that as the men left their cigars to return to the ladies he managed to whisper into Upton's ear,
“Rather bright girl that, Henry.”
“Very,” said Upton. “Sensible, too. One of those bachelor girls who've got too much sense to think much about men. Pity, rather, in a way, too. She'd make a good wife, but, Lord save us! it would require an Alexander or a Napoleon to make love to her.”
“Oh, I don't know,” said Bliss, confidently. “If the right man came along--”
“Of course; but there aren't many right men,” said Upton. “I've no doubt there's somebody equal to the occasion somewhere, but with the population of the world at the present figures there's a billion chances to one she'll never meet him. What do you think of the financial situation, Walter? Pretty bad, eh?”
Thus did the astute Mr. Upton play the cards dealt out to him by his fairer half in this little game of hearts of her devising, and it is a certain fact that he played them well, for the interjection of a more or less political phase into their discussion rather whetted than otherwise the desire of Dr. Bliss to talk about Miss Meeker.
“Oh, hang the financial situation! Where does she live, Henry?” was Bliss's answer, from which Upton deduced that all was going well.
That his deductions were correct was speedily shown, for it was not many days before Mrs. Upton, with a radiant face, handed Upton a note from Walter asking her if she would not act as chaperon for a little sail on the Sound upon his sloop. He thought a small party of four, consisting of herself and Henry, Miss Meeker and himself, could have a jolly afternoon and evening of it, dining on board in true picnic fashion, and returning to earth in the moonlight.
“How do you like that, my lord?” she inquired, her eyes beaming with delight.
“Dreadful!” said Henry. “Got to the moonlight stage already--poor Bliss!”
“Poor Bliss indeed,” retorted Mrs. Upton. “Blissful Bliss, you ought to call him. Shall we go?”
“Shall we go?” echoed Upton. “If I fell off the middle of Brooklyn Bridge, would I land in the water?”
“I don't know,” laughed Mrs. Upton. “You might drop into the smoke-stack of a ferry-boat.”
“Of course we'll go,” said Upton. “I'd go yachting with my worst enemy.”
“Very well. I'll accept,” said Mrs. Upton, and she did. The sail was a great success, and everything went exactly as the skilful match-maker had wished. Bliss looked well in his yachting suit. The appointments of the yacht were perfect. The afternoon was fine, the supper entrancing, and the moonlight irresistible. Miss Meeker was duly impressed, and as for the doctor, as Upton put it, he was “going down for the third time.”
“If you aren't serious in this match, my dear, throw him a rope,” he pleaded, in his friend's behalf.
“He wouldn't avail himself of it if I did,” said Mrs. Upton. “He wants to drown--and I fancy Molly wants him to, too, because I can't get her to mention his name any more.”
“Is that a sign?” asked Upton.
“Indeed yes; if she talked about him all the time I should be afraid she wasn't quite as deeply in love as I want her to be. She's only a woman, you know, Henry. If she were a man, it would be different.”
The indications were verified by the results. August came, and Mrs. Upton invited Miss Meeker to spend the month at the Uptons' summer cottage at Skirton, and Bliss was asked up for “a day or two” while she was there.
“Isn't it a little dangerous, my dear?” Upton asked, when his wife asked him to extend the hospitality of the cottage to Bliss. “I should think twice before asking Walter to come.”
“How absurd you are!” retorted the match-maker. “What earthly objection can there be?”
“No objection at all,” returned Upton, “but it may destroy all your good work. It will be a terrible test for Walter, I am afraid--breakfast, for instance, is a fearful ordeal for most men. They are so apt to be at their very worst at breakfast, and it might happen that Walter could not stand the strain upon him through a series of them. Then Molly may not look well in the mornings. How is that? Is she like you--always at her best?”
Mrs. Upton replied with a smile. It was evident that she did not consider the danger very great.
“They might as well get used to seeing each other at breakfast,” she said. “If they find they don't admire each other at that time, it is just as well they should know it in advance.”
Hence it was, as I have said, that Bliss was invited to Skirton for a day or two. And the day or two, in the most natural way in the world, lengthened out into a week or two. There were walks and talks; there were drives and long horseback rides along shaded mountain roads, and when it rained there were mornings in the music-room together. Bliss was good-natured at breakfast, and Molly developed a capacity for appearing to advantage at that trying meal that aroused Upton's highest regard; and finally--well, finally Miss Molly Meeker whispered something into Mrs. Upton's ear, at which the latter was so overjoyed that she nearly hugged her young friend to death.
“Here, my dear, look out,” remonstrated Upton, who happened to be present. “Don't take it all. Perhaps she wants to live long enough to whisper something to me.”
“I do,” said Molly, and then she announced her engagement to Walter Bliss; and she did it so sweetly that Upton had all he could do to keep from manifesting his approval after the fashion adopted by his wife.
“I wish I was a literary man,” said Upton to his wife the next day, when they were talking over the situation. “If I knew how to write I'd make a fortune, I believe, just following up the little romances that you plan.”
“Oh, nonsense, Henry,” replied Mrs. Upton. “I don't plan any romances--I select certain people for each other and bring them together, that is all.”
“And push 'em along--prod 'em slightly when they don't seem to get started, eh?” insinuated Upton. “Well, yes--sometimes.”
“And what else does a novelist do? He picks out two people, brings them together, and pushes them along through as many chapters as he needs for his book,” said Henry. “That's all. Now if I could follow your couples I'd have a tremendous advantage in basing my studies on living models instead of having to imagine my realism. I repeat I wish I could write. This little romance of Mollie and Walter that has just ended--”
“Just what?” asked Mrs. Upton.
“Just ended,” repeated Upton. “What's the matter with that?”
“You mean just begun,” said Mrs. Upton, with a sigh. “The hardest work a match-maker has is in conducting the campaign after the nominations are made. When two people love each other madly, they are apt to do a great deal of quarrelling over absolutely nothing, and I'm not at all sure that an engagement means marriage until the ceremony has taken place.”
“And even then,” suggested Henry, “there are the divorce courts, eh?”
“We won't refer to them,” said Mrs. Upton, severely; “they are relics of barbarism. But as for the ending of my romance, my real work now begins. I must watch those two young people carefully and see that their little quarrels are smoothed over, their irritations allayed, and that every possible difference between them is adjusted.”
“But you and I didn't quarrel when we were engaged,” persisted Upton.
“No, we didn't, Henry,” replied Mrs. Upton. “But that was only because it takes two to make a quarrel, and I loved you so much that I was really blind to all your possibilities as an irritant.”
“Oh!” said Henry, reflectively.
III
A SET-BACK
“All is confounded, all! Reproach and everlasting shame Sits mocking in our plumes.”
--_Henry V_.
Time demonstrated with great effectiveness the unhappy fact that Mrs. Upton knew whereof she spoke when she likened an engagement to a political campaign, in that the real battle begins after the nominations are made. Walter Bliss had decided views as to life, and Miss Meeker was hardly less settled in her convictions. Long before she had met Bliss, in default of a real she had builded up in her mind an ideal man, which at first, second, and even third sight Walter had seemed to her to represent. But unfortunately there is a fourth sight, and the lover or the _fiancee_ who can get beyond this is safe--comparatively safe, that is, for everything in this world has its merits or its demerits, comparatively speaking, and the comparison is more often than not made from the point of view of what ought to be rather than of what really is. Mrs. Upton was a realist--that is, she thought she was; and so was Miss Meeker. Everybody looks at life from his or her own point of view, and there must always be, consequently, two points of view, for there will always be a male way and a female way of looking at things. Walter was in love with his profession. Molly was in love with him as an abstract thing. She knew nothing of him as a Washington fighting measles; she was not aware whether he could combat tonsillitis as successfully as Napoleon fought the Austrians or not, and it may be added that she didn't care. He was merely a man in her estimation; a thing in the abstract, and a most charming thing on the whole. He, on the other hand, looked upon her not as a woman, but as a soul, and a purified soul at that: an angel, indeed, without the incumbrance of wings, was she, and with a rather more comprehensive knowledge of dress than is attributed to most of angels. But two people cannot go on forming an ideal of each other continuously without at some time reaching a point of divergence, and Walter and Molly reached that point within ten weeks. It happened that while calling upon her one evening Walter received a professional summons which he admitted was all nonsense--why should people call in doctors when it is “all nonsense”?
The call came while Walter was turning over the leaves at the piano as Molly played.
“What is this?” he said, as he opened the note that was addressed to him. “Humph! Mrs. Hubbard's boy is sick--”
“Must you go?” Molly asked.
“I suppose so,” said Walter. “I saw him this afternoon, and there is not the slightest thing the matter with him, but I must go.”
“Why?” asked Molly. “Are you the kind of doctor they call in when there's nothing the matter?”
She did not mean to be sarcastic, but she seemed to be, and Walter, of course, like a properly sensitive soul, was hurt.
“I must go,” he said, positively, ignoring the thrust.
“But you say there is nothing the matter with the boy,” suggested Molly.
“I'm going just the same,” said Walter, and he went.
Molly played on at the piano until she heard the front door slam, and then she rose up and went to the window. Walter had gone and was out of sight. Then, sad to say, she became philosophical. It doesn't really pay for girls to become philosophical, but Molly did not know that, and she began a course of reasoning.
“He knows he isn't needed, but he goes,” she said to herself, as she gazed dejectedly out of the window at the gaslamps on the other side of the street. “And he will of course charge the Hubbards for his services, admitting, however, that his services are nothing. That is not conscientious--it is not professional. He is not practising for the love of his profession, but for the love of money. I am disappointed in him--and we were having such a pleasant time, too!”
So she ran on as she sat there in the window-seat looking out upon the dreary street; and you may be sure that the commingling of her ideals and her disappointments and her sense of loneliness did not help Walter's case in the least, and that when they met the next time her manner towards him was what some persons term “sniffy,” which was a manner Walter could not and would not abide. Hence a marked coolness arose between the two, which by degrees became so intensified that at about the time when Mrs. Upton was expected to be called in to assist at a wedding, she was stunned by the information that “all was over between them.” “Just think of that, Henry,” the good match-maker cried, wrathfully. “All is over between them, and Molly pretends she is glad of it.”
“Made for each other too!” ejaculated Upton, with a mock air of sorrow. “What was the matter?”
“I can't make out exactly,” observed Mrs. Upton. “Molly told me all about it, and it struck me as a merely silly lovers' quarrel, but she won't hear of a reconciliation. She says she finds she was mistaken in him. I wish you'd find out Walter's version of it.”
“I respectfully refuse, my dear Mrs. Upton,” returned Henry. “I'm not a partner in your enterprise, and if you get a misfit couple returned on your hands it is your lookout, not mine. Pity, isn't it, that you can't manage matters like a tailor? Suit of clothes is made for me, I try it on, don't like it, send it back and have it changed to fit. If you could make a few alterations now in Molly--”
“Henry, you are flippant,” asserted Mrs. Upton. “There's nothing the matter with Molly--not the least little thing; and Walter ought to be ashamed of himself to give her up, and I'm going to see that he doesn't. I believe a law ought to be made, anyhow, requiring engaged persons who want to break off to go into court and show cause why they shouldn't be enjoined from so doing.”
“A sort of antenuptial divorce law, eh?” suggested Upton. “That's not a bad idea; you ought to write to the papers and suggest it--using your maiden name, of course, not mine.”
“If you would only find out from Walter what he's mad at, and tell him he's an idiot and a heartless thing, maybe we could smooth it out, because I know that 'way down in her soul Molly loves him.”
“Very well, I'll do it,” said Upton, good-naturedly; “but mind you it's only to oblige you, and if Bliss throws me out of the club window for meddling in his affairs, it will be your fault.”
The doctor did not quite throw Upton out of the window that afternoon when the subject came up, but he did the next thing to it. He turned upon him, and with much gravity remarked: “Upton, I'll talk politics, finance, medicine, surgery, literature, or neck-ties with you, but under no circumstances will I talk about woman with anybody. I prefer a topic concerning which it is possible occasionally to make an intelligent surmise at least. Woman is as comprehensible to a finite mind as chaos. Who's your tailor?”
“You ought to have seen us when he said that,” observed Upton to his wife, as he told her about the interview at dinner that evening. “He was as solemn as an Alp, and apparently as immovable as the Sphinx; and as for me, I simply withered on my stalk and crumbled away into dust. Wherefore, my love, I am through; and hereafter if you are going to make matches for my friends and need outside help, get a hired man to help you. I'm did. If I were you I'd let 'em go their own way, and if their lives are spoiled, why, your conscience is clear either way.”
But Mrs. Upton had no sympathy with any such view as that. She had been so near to victory that she was not going to surrender now without one more charge. She tried a little sounding of Bliss herself, and finally asked him point-blank if he would take dinner with herself and Upton and Molly and make it up, and he declined absolutely; and it was just as well, for when Molly heard of it she asserted that she had no doubt it would have been a pleasant dinner, but that nothing could have induced her to go. She never wished to see Dr. Bliss again--not even professionally. Mrs. Upton was gradually becoming utterly discouraged. The only hopeful feature of the situation was that there were no “alternates” involved. Bliss was done forever with woman; Miss Meeker had never cared for any man but Walter. Time passed, and the lovers were adamant in their determination never to see each other again. Repeated efforts to bring them together failed, until Mrs. Upton was in despair. It is always darkest, however, just before dawn, and it finally happened that just as hopelessness was beginning to take hold of Mrs. Upton's heart her great device came to her.
IV
THE DEVICE
“Music arose with its voluptuous swell, And all went merry as a marriage bell.” --_Childe Harold_.
“Henry,” said Mrs. Upton, one cold January morning, a great light of possibilities dawning upon her troubled soul, “don't you want to take me to the opera next Saturday? Calve is to sing in 'Cavalleria,' and I am very anxious to hear her again.”
“I am sorry, but I can't,” Upton answered. “I have an engagement with Bliss at the club on Saturday. We're going to take lunch and finish up our billiard tournament. I've got a lead of forty points.”
“Oh! Well, then, get me two seats, and I'll take Molly,” said the astute match-maker. “And never mind about their being aisle seats. I prefer them in the middle of the row, so that everybody won't be climbing over us when they go out and in.”
“All right; I will,” said Henry, and the seats were duly procured.
Saturday came, and Upton went to the club, according to his appointment with Walter; but Bliss was not there, nor had he sent any message of explanation. Upton waited until three o'clock, and still the doctor came not; and finally he left the club and sauntered up the Avenue to his house, calling down the while imprecations upon the absent Walter.
“Hang these doctors!” he said, viciously. “They seem to think professional engagements are the only ones worth keeping. Off in his game, I fancy. That's the milk in the cocoanut.”
Five minutes later he entered his library, and was astonished to see Mrs. Upton there reading.
“Why, hullo! You here?” he said. “I thought you were at the opera.”
“No, I didn't go,” Mrs. Upton replied, with a smile.
“There seems to be something in the air that prevents people from keeping their engagements to-day. Bliss didn't turn up,” said Henry. “What did you do with the tickets?”
“I sent Molly hers by messenger, and told her I'd join her at the opera-house,” said Mrs. Upton, her face beaming. “Did you say Walter didn't go to the club?” she added, anxiously.
“Yes. He's a great fellow, he is! Got no more idea about sticking to an engagement than a cat,” said Upton. “Afraid of my forty points, I imagine.”
“Possibly; but maybe this will account for it,” said Mrs. Upton, with a sigh of relief, which hardly seemed necessary under the circumstances, handing her husband a note.
“What's this?” asked Upton, scanning the address upon the envelope.
“A note--from Walter,” Mrs. Upton replied. “Read it.”
And Upton read as follows:
"SATURDAY MORNING, _January_ --, 189-.
"MY DEAR MRS. UPTON,--I am sorry to hear that Henry is called away, but there are compensations. If I cannot take luncheon with him, it will give me the greatest pleasure to listen to Calve in your company. I may be a trifle late, but I shall most certainly avail myself of your kind thought of me.
“Yours faithfully, ”WALTER BLISS."
“What the deuce is this?” asked Upton. “I called away? Who said I was called away?”
“I did,” said Mrs. Upton, pursing her lips to keep from indulging in a smile. “As soon as you left this morning I wrote Walter a note, telling him that you had been hurriedly called to Philadelphia on business, and that you'd asked me to let him know, not having time to do it yourself. And I closed by saying that we had two seats for 'Cavalleria,' and that, as my expected guest had disappointed me, I hoped he might come in if he felt like it during the afternoon and hear Calve. That's his answer. I enclosed him the ticket.”
“So that--” said Upton, beginning to comprehend.
“So that Molly and Walter are at the opera together. Hemmed in on both sides, so that they can't escape, with the Intermezzo before them!” said Mrs. Upton, with an air of triumph which was beautiful to look upon.
“Well, you are a genius!” cried Upton, finding his wife's enthusiasm contagious. “I'm almost afraid of you!”
“And you don't think I did wrong to fib?” asked Mrs. Upton.
[Illustration: During the Intermezzo.]
“Oh, as for that,” said Upton, “all geniuses lie! An abnormal development in one direction always indicates an abnormal lack of development in another. Your bump of ingenuity has for the moment absorbed your bump of veracity; but I say, my dear, I wonder if they'll speak?”
“Speak?” echoed Mrs. Upton. “Speak? Why, of course they will! Everybody talks at the opera,” she added, joyously.
An hour later the door-bell rang, and the maid announced Miss Meeker and Dr. Bliss. They entered radiant, and not in the least embarrassed.
“Why, how do you do?” said Upton, as calmly as though nothing had happened. “Didn't see you at the club,” he added, with a sly wink at his wife.
“Thought you were out of town,” said Bliss; and then he turned and glanced inquiringly at the lovely deceiver. But Mrs. Upton said nothing. She was otherwise engaged; for Molly, upon entering the room, had walked directly to her side, and throwing her arms about her neck, kissed her several times most affectionately.
“You dear old thing!” she whispered.
“Mrs.--Upton--I'm very much obliged to you for a very pleasant afternoon,” stammered Bliss, recovering from his surprise, the true inwardness of the situation dawning upon him, “as well as for--a good many pleasant afternoons to come. I--ah--I didn't see--ah--Molly until I got seated.”
“No,” said Molly; “and if he could have gotten away without disturbing a lot of people, I think he'd have gone when he realized where he was. And he wouldn't speak until the Intermezzo was half through.”
“Well, I tried hard not to even then,” said Walter; “but somehow or other, when the Intermezzo got going, I couldn't help it, and--well, it's to be next month.”
And so it was. The wedding took place six weeks later; and all through the service the organist played the Intermezzo in subdued tones, which some people thought rather peculiar--but then they were not aware of all the circumstances.
THE END
End of Project Gutenberg's The Booming of Acre Hill, by John Kendrick Bangs
*** END OF THIS PROJECT GUTENBERG EBOOK THE BOOMING OF ACRE HILL ***
***** This file should be named 11309.txt or 11309.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.net/1/1/3/0/11309/
Produced by Audrey Longhurst, Michael Ciesielski and PG Distributed Proofreaders
Updated editions will replace the previous one--the old editions will be renamed.
Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for the eBooks, unless you receive specific permission. If you do not charge anything for copies of this eBook, complying with the rules is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. They may be modified and printed and given away--you may do practically ANYTHING with public domain eBooks. Redistribution is subject to the trademark license, especially commercial redistribution.
*** START: FULL LICENSE ***
THE FULL PROJECT GUTENBERG LICENSE PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
To protect the Project Gutenberg-tm mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase “Project Gutenberg”), you agree to comply with all the terms of the Full Project Gutenberg-tm License (available with this file or online at http://gutenberg.net/license).
Section 1. General Terms of Use and Redistributing Project Gutenberg-tm electronic works
1.A. By reading or using any part of this Project Gutenberg-tm electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg-tm electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg-tm electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8.
1.B. “Project Gutenberg” is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg-tm electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg-tm electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg-tm electronic works. See paragraph 1.E below.
1.C. The Project Gutenberg Literary Archive Foundation (“the Foundation” or PGLAF), owns a compilation copyright in the collection of Project Gutenberg-tm electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is in the public domain in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg-tm mission of promoting free access to electronic works by freely sharing Project Gutenberg-tm works in compliance with the terms of this agreement for keeping the Project Gutenberg-tm name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg-tm License when you share it without charge with others.
1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg-tm work. The Foundation makes no representations concerning the copyright status of any work in any country outside the United States.
1.E. Unless you have removed all references to Project Gutenberg:
1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg-tm License must appear prominently whenever any copy of a Project Gutenberg-tm work (any work on which the phrase “Project Gutenberg” appears, or with which the phrase “Project Gutenberg” is associated) is accessed, displayed, performed, viewed, copied or distributed:
This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net
1.E.2. If an individual Project Gutenberg-tm electronic work is derived from the public domain (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase “Project Gutenberg” associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or 1.E.9.
1.E.3. If an individual Project Gutenberg-tm electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg-tm License for all works posted with the permission of the copyright holder found at the beginning of this work.
1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg-tm.
1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg-tm License.
1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg-tm work in a format other than “Plain Vanilla ASCII” or other format used in the official version posted on the official Project Gutenberg-tm web site (www.gutenberg.net), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original “Plain Vanilla ASCII” or other form. Any alternate format must include the full Project Gutenberg-tm License as specified in paragraph 1.E.1.
1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg-tm works unless you comply with paragraph 1.E.8 or 1.E.9.
1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg-tm electronic works provided that
- You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg-tm works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg-tm trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, “Information about donations to the Project Gutenberg Literary Archive Foundation.”
- You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg-tm License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg-tm works.
- You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work.
- You comply with all other terms of this agreement for free distribution of Project Gutenberg-tm works.
1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from both the Project Gutenberg Literary Archive Foundation and Michael Hart, the owner of the Project Gutenberg-tm trademark. Contact the Foundation as set forth in Section 3 below.
1.F.
1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread public domain works in creating the Project Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm electronic works, and the medium on which they may be stored, may contain “Defects,” such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment.
1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right of Replacement or Refund” described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg-tm trademark, and any other party distributing a Project Gutenberg-tm electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE.
1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem.
1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions.
1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg-tm electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg-tm electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg-tm work, (b) alteration, modification, or additions or deletions to any Project Gutenberg-tm work, and (c) any Defect you cause.
Section 2. Information about the Mission of Project Gutenberg-tm
Project Gutenberg-tm is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life.
Volunteers and financial support to provide volunteers with the assistance they need, is critical to reaching Project Gutenberg-tm's goals and ensuring that the Project Gutenberg-tm collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg-tm and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation web page at http://www.pglaf.org.
Section 3. Information about the Project Gutenberg Literary Archive Foundation
The Project Gutenberg Literary Archive Foundation is a non profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation's EIN or federal tax identification number is 64-6221541. Its 501(c)(3) letter is posted at http://pglaf.org/fundraising. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state's laws.
The Foundation's principal office is located at 4557 Melan Dr. S. Fairbanks, AK, 99712., but its volunteers and employees are scattered throughout numerous locations. Its business office is located at 809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email business@pglaf.org. Email contact links and up to date contact information can be found at the Foundation's web site and official page at http://pglaf.org
For additional contact information: Dr. Gregory B. Newby Chief Executive and Director gbnewby@pglaf.org
Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation
Project Gutenberg-tm depends upon and cannot survive without wide spread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS.
The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit http://pglaf.org
While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate.
International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff.
Please check the Project Gutenberg Web pages for current donation methods and addresses. Donations are accepted in a number of other ways including including checks, online payments and credit card donations. To donate, please visit: http://pglaf.org/donate
Section 5. General Information About Project Gutenberg-tm electronic works.
Professor Michael S. Hart is the originator of the Project Gutenberg-tm concept of a library of electronic works that could be freely shared with anyone. For thirty years, he produced and distributed Project Gutenberg-tm eBooks with only a loose network of volunteer support.
Project Gutenberg-tm eBooks are often created from several printed editions, all of which are confirmed as Public Domain in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition.
Each eBook is in a subdirectory of the same number as the eBook's eBook number, often in several formats including plain vanilla ASCII, compressed (zipped), HTML and others.
Corrected EDITIONS of our eBooks replace the old file and take over the old filename and etext number. The replaced older file is renamed. VERSIONS based on separate sources are treated as new eBooks receiving new filenames and etext numbers.
Most people start at our Web site which has the main PG search facility:
http://www.gutenberg.net
This Web site includes information about Project Gutenberg-tm, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.
EBooks posted prior to November 2003, with eBook numbers BELOW #10000, are filed in directories based on their release date. If you want to download any of these eBooks directly, rather than using the regular search system you may utilize the following addresses and just download by the etext year.
http://www.gutenberg.net/etext06
(Or /etext 05, 04, 03, 02, 01, 00, 99, 98, 97, 96, 95, 94, 93, 92, 92, 91 or 90)
EBooks posted since November 2003, with etext numbers OVER #10000, are filed in a different way. The year of a release date is no longer part of the directory path. The path is based on the etext number (which is identical to the filename). The path to the file is made up of single digits corresponding to all but the last digit in the filename. For example an eBook of filename 10234 would be found at:
http://www.gutenberg.net/1/0/2/3/10234
or filename 24689 would be found at: http://www.gutenberg.net/2/4/6/8/24689
An alternative method of locating eBooks: http://www.gutenberg.net/GUTINDEX.ALL