The Trumpeter Swan by Bailey, Temple, -1953 - CHAPTER XI

(download Open eBook Format)

The Trumpeter Swan

CHAPTER XI

WANT­ED--A PEDESTAL

I

The Ma­jor's call on Miss MacVeigh had been a great suc­cess. She was sit­ting up, and had much to say to him. Through­out the days of her ill­ness and con­va­les­cence, the Ma­jor had kept in touch with her. He had sent her quaint nosegays from the King's Crest gar­den, man-​tied and man-​picked. He had sent her nice sol­dier­ly notes, ask­ing her to call up­on him if there was any­thing he could do for her. He had sent her books, and mag­azines, and now on this first vis­it, he brought back the “Pick­wick” which he had picked up in the road af­ter the ac­ci­dent.

“I have won­dered,” Madge said, “what be­came of it.”

They were in the Flip­pin sit­ting-​room. Madge was in a winged chair with a fresh­ly-​washed gray linen cov­er. The chair had be­longed to Mrs. Flip­pin's fa­ther, and for fifty years had held the place by the east win­dow in sum­mer and by the fire­place in win­ter. Os­car had want­ed to bring things from Hamil­ton Hill to make Madge com­fort­able. But she had re­fused to spoil the sim­plic­ity of the qui­et old house. “Ev­ery­thing that is here be­longs here, Os­car,” she had told him, “and I like it.”

She wore a mauve neg­ligee that was sheer and soft and flow­ing, and her burnt-​gold hair was braid­ed and wound around her head in a pic­turesque and be­com­ing coif­fure.

As she turned the pages of the lit­tle book the Ma­jor no­ticed her hands. They were white and slen­der, and she wore on­ly one ring--a long amethyst set in sil­ver.

“Do you play?” he asked abrupt­ly.

“Yes. Why?”

“Your hands show it.”

She smiled at him. “I am afraid that my hands don't quite tell the truth.” She held them up so that the light of the lamp shone through them. “They are re­al­ly a mu­si­cian's hands, aren't they? And I am on­ly a dab­bler in that as in ev­ery­thing else.”

“You can't ex­pect me to be­lieve that.”

“But I am. I have in­tel­li­gence. But I'm a 'dunce with wits.' I know what I ought to do but I don't do it. I think that I have brains enough to write, I am sure I have imag­ina­tion enough to paint, I have strength enough when I am well to”--she laughed,--“scrub floors. But I don't write or play or paint--or scrub floors--I don't be­lieve that there is one thing in the world that I can do as well as Mary Flip­pin makes bis­cuits.”

Her eyes seemed to chal­lenge him to de­ny her as­ser­tion. He set­tled him­self lazi­ly in his chair, and asked about the book.

“Tell me why you like Dick­ens, when no­body reads him in these days ex­cept our­selves.”

“I like him be­cause in my next in­car­na­tion I want to live in the kind of world he writes about.”

He was much in­ter­est­ed. “You do?”

She nod­ded. “Yes. I nev­er have. My world has al­ways been--cut and dried, con­ven­tion­al, you know the kind.” The slen­der hand with the amethyst ring made a lit­tle ges­ture of dis­dain. “There were three of us, my moth­er and my fa­ther and my­self. Ev­ery­thing in our lives was very per­fect­ly or­dered. We were not very rich--not in the mod­ern sense, and we were not very poor, and we knew a lot of nice peo­ple. I went to school with girls of my own kind, an ex­clu­sive school. I went away sum­mers to our own cot­tage in an ex­clu­sive North Shore colony. We took our ser­vants with us. Af­ter my moth­er died I went to board­ing-​school, and to Eu­rope in sum­mer, and when my school days were end­ed, and I ac­quired a step­moth­er, I set up an apart­ment of my own. It has Flo­ren­tine things in it, and Byzan­tine things, and things from Chi­na and Japan, and the col­ors shine like jew­els un­der my lamps--you know the ef­fect. And my kitchen is all in white enam­el, and the cook does things by elec­tric­ity, and when I go away in sum­mer my friends have Ital­ian vil­las--like the Wa­ter­mans, on the North Shore, al­though all of my friends are not like the Wa­ter­mans.” She threw this last out ca­su­al­ly, not as a crit­icism, but that he might, it seemed, with­hold judg­ment of her present choice of as­so­ciates. “And I have nev­er known the world of good cheer that Dick­ens writes about--wide kitchens, and teaket­tles singing and crick­ets chirp­ing and ev­ery­body busy with things that in­ter­est them. Do you know that there are re­al­ly no bored peo­ple in Dick­ens ex­cept a few aris­to­crats? None of the poor peo­ple are bored. They may be un­hap­py, but there's al­ways some rec­om­pense in a steam­ing drink or sa­vory stew, or some gay lit­tle fes­tiv­ity;--even the vagabonds seem to get some­thing out of life. I re­al­ize per­fect­ly that I've nev­er had the thrills from a bridge game that came to the Mar­chioness when she played cards with Dick Swiv­eller--by stealth.”

She talked rapid­ly, charm­ing­ly. He could not be sure how much in earnest she might be--but she made out her case and con­tin­ued her ar­gu­ment.

“When I was a child I walked on gray vel­vet car­pets, and there were etch­ings on the wall, and chilly mir­rors be­tween the long win­dows in the draw­ing-​room. And the kitchen was in the base­ment and I nev­er went down. There wasn't a cozy spot any­where. None of us were cozy, my moth­er wasn't. She was very love­ly and sparkling and went out a great deal and my fa­ther sparkled too. He still does. But there was re­al­ly noth­ing to draw us to­geth­er--like the Cratchits or even the Ken­wigs. And we were nev­er com­fort­able and mer­ry like all of these love­ly peo­ple in Pick­wick.”

She went on wist­ful­ly, “When I was nine, I found these lit­tle books in our li­brary and af­ter that I en­joyed vi­car­ious­ly the life I had nev­er lived. That's why I like it here--Mrs. Flip­pin's ket­tle sings--and the crick­ets chirp--and Mr. and Mrs. Flip­pin are com­fort­able--and cozy--and con­tent.”

It was a long speech. “So now you see,” she said, as she end­ed, “why I like Dick­ens.”

“Yes. I see. And so--in your next in­car­na­tion you are go­ing to be like----”

“Lit­tle Dor­rit.”

He laughed and leaned for­ward. “I can't imag­ine--you.”

“She re­al­ly had a heav­en­ly time. Dick­ens tried to make you feel sor­ry for her. But she had the best of it all through. Some­body al­ways want­ed her.”

“But she was im­posed up­on. And her un­selfish­ness brought her heavy bur­dens.”

“She got a lot out of it in the end, didn't she? And what do self­ish peo­ple get? I'm one of them. I live ab­so­lute­ly for my­self. There isn't a per­son ex­cept Flo­ra who gets any­thing of ser­vice or self-​sac­ri­fice out of me. I came down here be­cause she want­ed me, but I hat­ed to come. The mod­ern the­ory is that un­selfish­ness weak­ens. And the mod­ern psy­chol­ogist would tell you that lit­tle Dor­rit was all wrong. She gave her­self for oth­ers--and it didn't pay. But does the oth­er thing pay?”

“Self­ish­ness?”

“Yes. I'm self­ish, and Os­car is, and Flo­ra, and George Dal­ton, and most of the peo­ple we know. And we are all bored to death. If be­ing un­selfish is in­ter­est­ing, why not let us be un­selfish?” Her live­ly glance seemed to chal­lenge him, and they laughed to­geth­er.

“I know what you mean.”

“Of course you do. Ev­ery­body does who _thinks_.”

“And so you are go­ing to wait for the next plane to do the things that you want to do?”

“Yes.”

“But why--wait?”

“How can I break away? I am tied in­to knots with the peo­ple whom I have al­ways known; and I shall keep on do­ing the things I have al­ways done, just as I shall keep on wear­ing pale pur­ples and let­ting my skin get burned so that I may seem dis­tinc­tive.”

It came to him with some­thing of a shock that she did these things with in­ten­tion. That the charms which seemed to be­long to her were care­ful­ly planned.

Yet how could he tell if what she said was true, when her eyes laughed?

“I shall get all I can out of be­ing here. Mary Flip­pin is go­ing to let me help her make but­ter, and Mrs. Flip­pin will teach me to make corn-​bread, and some day I am go­ing fish­ing with the Judge and Mr. Flip­pin and learn to fry eggs out-​of-​doors----”

“So those are the things you like?”

She nod­ded. “I think I do. George Dal­ton says it is on­ly be­cause I crave a change. But it isn't that. And I haven't told him the way I feel about it--the Dick­ens way--as I have told you.”

He was glad that she had not talked to Dal­ton as she had talked to him.

“I won­der,” he said slow­ly, “why you couldn't shake your­self free from the life which binds you?”

“I'm not strong enough. I'm like the drug-​fiend, who doesn't want his drug, but can't give it up.”

“Per­haps you need--help. There are doc­tors of ev­ery­thing, you know, in these days.”

“None that can cure me of the habit of frivoli­ty--of the claims of cus­tom----”

“If a man takes a drug, he is cured by sub­sti­tut­ing some­thing else for a while un­til he learns to do with­out it.”

“What would you sub­sti­tute for--my drug?”

“I'll have to think about it. May I come again and tell you?”

“Of course. I am dy­ing to know.”

Mrs. Flip­pin en­tered just then with a tall pitch­er of lemon­ade and a plate of del­icate cakes. “I think Miss MacVeigh is look­ing mighty fine,” she said; “don't you, Ma­jor?”

He would not have dared to tell how fine she looked to him.

He limped across the room with the plate of cakes, and poured lemon­ade in­to a glass for Madge. Her eyes fol­lowed his strong sol­dier­ly fig­ure. What a man he must have been be­fore the war crip­pled him. What a man he was still, and his strength was not mere­ly that of body. She felt the strength too of mind and soul.

“I think,” said Mrs. Flip­pin that night, “that Ma­jor Prime is one of the nicest men.”

Madge was in bed. The nurse had made her ready for the night, and was out on the porch with Mr. Flip­pin. Mrs. Flip­pin had fall­en in­to the habit of hav­ing a lit­tle night­ly talk with Madge. She missed her daugh­ter, and Madge was pleas­ant and friend­ly.

“I think that Ma­jor Prime is one of the nicest men,” re­peat­ed Mrs. Flip­pin as she sat down be­side the bed, “but what a dread­ful thing that he is lame.”

“I am not sure,” Madge said, “that it is dread­ful.”

She has­tened to re­deem her­self from any pos­si­ble charge of blood­thirsti­ness.

“I don't mean,” she said, “that it isn't aw­ful for a man to lose his leg. But men who go through a thing like that and come out--con­querors--are rather won­der­ful, Mrs. Flip­pin.”

Madge had hold of Mrs. Flip­pin's hand. She of­ten held it in this qui­et hour, and the idea rather amused her. She was not demon­stra­tive, and it seemed in­con­ceiv­able that she should care to hold Mrs. Flip­pin's hand. But there was a moth­er­li­ness about Mrs. Flip­pin, a qual­ity with which Madge had nev­er be­fore come close­ly in con­tact. “It is like the way I used to feel when I was a lit­tle girl and said my prayers at night,” she told her­self.

Madge did not say her prayers now. No­body did, ap­par­ent­ly. She thought it rather a pity. It was a com­fort­able thing to do. And it meant a great deal if you on­ly be­lieved in it.

“Do you say your prayers, Mrs. Flip­pin?” she asked sud­den­ly.

Mrs. Flip­pin was get­ting used to Madge's queer ques­tions. She treat­ed them as a mis­sion­ary might treat the ques­tions of a beau­ti­ful and ap­peal­ing sav­age, who hav­ing gone with him to some strange coun­try was con­stant­ly in­ter­roga­to­ry.

“She don't seem to know any­thing about the things we do,” Mrs. Flip­pin told her hus­band. “She got the nurse to wheel her out in­to the kitchen this af­ter­noon, and watched me frost a cake and cut out bis­cuits. And she says that she has nev­er seen any­thing so so­cia­ble as the teaket­tle, the way it rocks and sings.”

So now when Madge asked Mrs. Flip­pin if she said her prayers, Mrs. Flip­pin said, “Do you mean at night?”

“Yes.”

“Bob and I say them to­geth­er,” said Mrs. Flip­pin. “We start­ed on our wed­ding night, and we ain't ev­er stopped.”

It was a sim­ple state­ment of a sub­lime fact. For thir­ty years this plain man and this plain wom­an had kept alive the spir­itu­al flame on the house­hold al­tar. No won­der that peace was un­der this roof and seren­ity.

Madge, as she lay there hold­ing Mrs. Flip­pin's hand, looked very young, al­most like a lit­tle girl. Her hair was part­ed and the bur­nished braids lay heavy on her love­ly neck. Her thin fine gown left her arms bare. “Mrs. Flip­pin,” she said, “I wish I could live here al­ways, and have you come ev­ery night and sit and hold my hand.”

Her eyes were smil­ing and Mrs. Flip­pin smiled back. “You'd get tired.”

“No,” said Madge, “I don't be­lieve any­body ev­er gets tired of good­ness. Not re­al good­ness. The kind that isn't hyp­ocrit­ical or prig­gish. And in these days it is so rare, that one just loves it. I am bored to death with near-​bad peo­ple, Mrs. Flip­pin, and near-​good ones. I'd much rather have them re­al saints and re­al sin­ners.”

The nurse came in just then, and Mrs. Flip­pin went away. And af­ter a time the house was very still. Madge's bed was close to the win­dow. Out­side in­nu­mer­able fire­flies stud­ded the night with gold. Now and then a screech-​owl sound­ed his mourn­ful note. It was a ghost­ly call, and there was the pat­ter of lit­tle feet on the porch as the old cat played with her kit­tens in the warm dark. But Madge was not afraid. She had a sense of great con­tent as she lay there and thought of the things she had said to Ma­jor Prime. It was not of­ten that she re­vealed her­self, and when she did it was still rar­er to meet un­der­stand­ing. But he had un­der­stood. She was sure of that, and she would see him soon. He had promised. And she would not have to go back to Os­car and Flo­ra un­til she was ready. Flo­ra was bet­ter, but still very weak. It would be much wis­er, the doc­tor had said, if she saw no one but her nurs­es for sev­er­al days.

II

Trux­ton Beau­fort rode over to King's Crest the next morn­ing, and sat on the steps of the School­house. Randy and Ma­jor Prime were hav­ing break­fast out-​of-​doors. It was ten o'clock, but they were ap­par­ent­ly tak­ing their ease.

“I thought you had to work,” Trux­ton said to Randy.

“I sold a car yes­ter­day----”

“And to-​day you are play­ing around like a plu­to­crat. I wish I could sell cars. I wish I could do _any­thing_. Look here, you two. I won­der if you feel as I do.”

“About what?”

“Com­ing back. I came home ex­pect­ing a pedestal--and I give you my word no­body seems to think much of me ex­cept my fam­ily. And they aren't wor­ship­ful--ex­act­ly. They can't be. How can they rave over my one dec­ora­tion when that young nig­ger John has two, and de­served them, and when the butch­er and bak­er and can­dle­stick-​mak­er are my rank­ing of­fi­cers? War used to be a gen­tle­man's game. But it isn't any more.”

“We've got to carve our own pedestals,” said the Ma­jor. “We are gods of yes­ter­day. The world won't stop to praise us. We did our du­ty, and we would do it again. But our lau­rel wreaths are doffed. Our swords are beat­en in­to plow­shares. Peace is up­on us. If we want pedestals, we've got to carve them.”

Trux­ton ar­gued that it wasn't quite fair. The Ma­jor agreed that it might not seem so, but the thing had been so vast, and there were so many men in­volved, so many heroes.

“Ev­ery lit­tle fam­ily has a hero of its own,” Trux­ton sup­ple­ment­ed. “Mary thinks none of the oth­ers did _any­thing_--I won the _whole_ war. That's where I have it over you two,” he grinned.

“It is a thing,” said the Ma­jor, cheer­ful­ly, “which can be reme­died.”

“It can,” Trux­ton told him; “which re­minds me that our young John is go­ing to mar­ry Flip­pins' Daisy, and our house­hold is in mourn­ing. Mandy doesn't ap­prove of Daisy, and nei­ther does Calvin. Mandy took to her bed when she heard the news, and young John cooked break­fast to the tune of his Dad­dy's lamen­ta­tions. But it was a good break­fast.”

“Mar­riage,” said the Ma­jor, “seems rather epi­dem­ic in these days.”

Randy rose rest­less­ly and sat on the porch rail. “Why in the world does John want to mar­ry Daisy----”

“Why not?” eas­ily. “There's some style about Daisy----”

“But there are lots of nice, com­fort­able, hard-​work­ing girls in this neigh­bor­hood.”

“Lead me to 'em,” Trux­ton mim­icked young John, “lead me to 'em. Mary says that Daisy is the best of the lot. She has plen­ty of good sense back of her fool­ish­ness, and she is one of the best cooks in the coun­ty. She and John are plan­ning to go up to Wash­ing­ton and open an old-​fash­ioned oys­ter house. She says that peo­ple are com­plain­ing that they can't get oys­ters as they did in the old days, and she is go­ing to show them. I wouldn't be sur­prised if they made a suc­cess of it. And I tell you this--I en­vy John. He will have a pay­ing busi­ness, and here I am with­out a thing ahead of me, and I have mar­ried a wife and the ravens won't feed us.”

Randy stuck his hands in his pock­ets with an air of sud­den res­olu­tion.

“Look here,” he said, “why can't we go halves in this car busi­ness? It will pay our ex­pens­es, and we can fin­ish our law course at the Uni­ver­si­ty.”

“Law? Oh, look here, Randy, I thought you had giv­en that up.”

“I haven't, and why should you? We will fin­ish, and some day we will open an of­fice to­geth­er.”

The Ma­jor, whistling soft­ly, lis­tened and said noth­ing.

“I have been think­ing a lot about it,” Randy went on, “and I can't see much of a fu­ture ahead of me. Not the kind of fu­ture that our fam­ilies are ex­pect­ing of us. You and I have got to stand for some­thing, Trux­ton, or some day the world will be say­ing that all the great men died with Thomas Jef­fer­son.”

The Ma­jor went on with his lilt­ing tune. What a pair they were, these lads! Randy, afire with his dreams, and rather trag­ic in his dream­ing. Trux­ton, light as a feath­er--laugh­ing.

“Why can't we give to the world as much as the men who have gone be­fore us?” Randy was de­mand­ing. “Are we go­ing to take ev­ery­thing from our an­ces­tors, and give noth­ing to our de­scen­dants?”

Trux­ton chuck­led. “By Jove,” he said, “now that I come to think of it, I am the head of a fam­ily--there's Fid­dle-​dee-​dee, and I shall have to reck­on with Fid­dle-​dee-​dee's chil­dren and grand­chil­dren and great-​grand­chil­dren--who will ex­pect that my por­trait will hang on the wall at Hunters­field.”

“It is all very well to laugh,” said Randy hot­ly, “but that is the way it looks to me; that we have got to show to the world that our am­bi­tions are--big. It is all very well to talk about the day's work. I am go­ing to do it, and pay my way, but there's got to be some­thing be­yond that to think about--some­thing big­ger than I have ev­er known.”

He gained dig­ni­ty through the sin­cer­ity of his pur­pose. The Ma­jor, still whistling soft­ly, won­dered what had come over the boy. He rec­og­nized a dif­fer­ence since he had last talked to him. Randy was not on­ly roused; he was ready to look life in the face, to wrest from it the best. “If that is what love of the lit­tle girl is do­ing for him,” said the Ma­jor to him­self, “then let him love her.”

Trux­ton con­tin­ued to treat the sit­ua­tion light­ly. “Look here,” he said, “do you think you are go­ing to be the on­ly great man in our gen­er­ation?”

Randy laughed; but the fire was still in his eyes. “The coun­ty will hold the two of us.”

And now the Ma­jor spoke. “No man can be great by sim­ply say­ing it. But I think most of our great men have ex­pect­ed things of them­selves. They have dreamed dreams of great­ness. I fan­cy that Lin­coln did in his log cab­in, and Roo­sevelt on the plains. And it wasn't ego­tism--it was a boy's wish to give him­self to the world. And the wish was the urge. And the trou­ble with many of our men in these days is that they are con­tent to dream of what they can get in­stead of what they can do. Paine has the right idea. There must be a day's work no mat­ter how hard, and it must be done well, but be­yond that must be a dream of big­ger things for the fu­ture----”

Trux­ton stood up. “I asked for bread and you have giv­en me--caviar. Suf­fi­cient un­to the day is the great­ness there­of. And in the mean­time, Randy, I will make the grand ges­ture--and help you sell cars.” He was grin­ning as he left them. “Good-​bye, Ma­jor. Good-​bye, T. Jef­fer­son, Jr. Let me know when you want me in your Cab­inet.”

It was late that af­ter­noon that Mary, look­ing for her hus­band, found him in the Judge's li­brary.

“What are you do­ing?” she asked, with live­ly cu­rios­ity.

Trux­ton was sit­ting on the floor with a pile of calf-​bound books be­side him.

“What are you do­ing, lover?”

“Come here and I'll tell you.” He made a seat for her of four of the big books. His arm went around her and he laid his head against her shoul­der.

“Mary,” he said, “I am carv­ing a pedestal.”

“You are what?”

He ex­plained. He laughed a great deal as he gave her an ac­count of his con­ver­sa­tion with the Ma­jor and Randy that morn­ing.

“You see be­fore you,” with a fi­nal flour­ish, “a po­ten­tial great man. A Thomas Jef­fer­son, up-​to-​date; a John Ran­dolph of the present day; the Lin­coln of my own time; the an­ces­tor of Fid­dle's great-​grand­chil­dren.”

She rum­pled his hair. “I like you as you are.”

He caught her hand and held it. “But you'd like me on--a pedestal?”

“If you'll let me help you carve it.”

He kissed the hand that he held. “If I am ev­er any­thing more than I am,” he said, and now he was not laugh­ing, “it will be be­cause of you--my dear­est dar­ling.”