Mary Erskine by Abbott, Jacob - CHAPTER I.

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Mary Erskine

CHAPTER I.

JEM­MY.

Mal­leville and her cousin Phon­ny gen­er­al­ly played to­geth­er at Fran­co­nia a great part of the day, and at night they slept in two sep­arate re­cess­es which opened out of the same room. These re­cess­es were deep and large, and they were di­vid­ed from the room by cur­tains, so that they formed as it were sep­arate cham­bers: and yet the chil­dren could speak to each oth­er from them in the morn­ing be­fore they got up, since the cur­tains did not in­ter­cept the sound of their voic­es. They might have talked in the same man­ner at night, af­ter they had gone to bed, but this was against Mrs. Hen­ry's rules.

One morn­ing Mal­leville, af­ter ly­ing awake a few min­utes, lis­ten­ing to the birds that were singing in the yard, and wish­ing that the win­dow was open so that she could hear them more dis­tinct­ly, heard Phon­ny's voice call­ing to her.

“Mal­leville,” said he, “are you awake?”

“Yes,” said Mal­leville, “are you?”

“Yes,” said Phon­ny, “I'm awake--but what a cold morn­ing it is!”

It was in­deed a cold morn­ing, or at least a very _cool_ one. This was some­what re­mark­able, as it was in the month of June. But the coun­try about Fran­co­nia was cold in win­ter, and cool in sum­mer. Phon­ny and Mal­leville rose and dressed them­selves, and then went down stairs. They hoped to find a fire in the sit­ting-​room, but there was none.

“How sor­ry I am,” said Phon­ny. “But hark, I hear a roar­ing.”

“Yes,” said Mal­leville; “it is the oven; they are go­ing to bake.”

The back of the oven was so near to the par­ti­tion wall which formed one side of the sit­ting-​room, that the sound of the fire could be heard through it. The mouth of the oven how­ev­er opened in­to an­oth­er small room con­nect­ed with the kitchen, which was called the bak­ing-​room. The chil­dren went out in­to the bak­ing-​room, to warm them­selves by the oven fire.

“I am very glad that it is a cool day,” said Phon­ny, “for per­haps moth­er will let us go to Mary Er­sk­ine's. Should not you like to go?”

“Yes,” said Mal­leville, “very much. Where is it?”

The read­ers who have pe­rused the pre­ced­ing vol­umes of this se­ries will have ob­served that Mary Bell, who lived with her moth­er in the pleas­ant lit­tle farm-​house at a short dis­tance from the vil­lage, was al­ways called by her full name, Mary Bell, and not ev­er, or scarce­ly ev­er, mere­ly Mary. Peo­ple had ac­quired the habit of speak­ing of her in this way, in or­der to dis­tin­guish her from an­oth­er Mary who lived with Mrs. Bell for sev­er­al years. This oth­er Mary was Mary Er­sk­ine. Mary Er­sk­ine did not live now at Mrs. Bell's, but at an­oth­er house which was sit­uat­ed near­ly two miles from Mrs. Hen­ry's, and the way to it was by a very wild and un­fre­quent­ed road. The chil­dren were fre­quent­ly ac­cus­tomed to go and make Mary Er­sk­ine a vis­it; but it was so long a walk that Mrs. Hen­ry nev­er al­lowed them to go un­less on a very cool day.

At break­fast that morn­ing Phon­ny asked his moth­er if that would not be a good day for them to go and see Mary Er­sk­ine. Mrs. Hen­ry said that it would be an ex­cel­lent day, and that she should be very glad to have them go, for there were some things there to be brought home. Be­sides Beech­nut was go­ing to mill, and he could car­ry them as far as Kater's cor­ner.

Kater's cor­ner was a place where a sort of cart path, branch­ing off from the main road, led through the woods to the house where Mary Er­sk­ine lived. It took its name from a farmer, whose name was Kater, and whose house was at the cor­ner where the roads di­verged. The main road it­self was very rough and wild, and the cart path which led from the cor­ner was al­most im­pass­able in sum­mer, even for a wag­on, though it was a very ro­man­tic and beau­ti­ful road for trav­el­ers on horse­back or on foot. In the win­ter the road was ex­cel­lent: for the snow buried all the rough­ness of the way two or three feet deep, and the teams which went back and forth in­to the woods, made a smooth and beau­ti­ful track for ev­ery thing on run­ners, up­on the top of it.

Mal­leville and Phon­ny were very much pleased with the prospect of rid­ing a part of the way to Mary Er­sk­ine's, with Beech­nut, in the wag­on. They made them­selves ready im­me­di­ate­ly af­ter break­fast, and then went and sat down up­on the step of the door, wait­ing for Beech­nut to ap­pear. Beech­nut was in the barn, har­ness­ing the horse in­to the wag­on.

Mal­leville sat down qui­et­ly up­on the step while wait­ing for Beech­nut. Phon­ny be­gan to amuse him­self by climb­ing up the rail­ing of the ban­nis­ters, at the side of the stairs. He was try­ing to poise him­self up­on the top of the rail­ing and then to work him­self up the as­cent by pulling and push­ing with his hands and feet against the ban­nis­ters them­selves be­low.

“I wish you would not do that,” said Mal­leville. “I think it is very fool­ish, for you may fall and hurt your­self.”

“No,” said Phon­ny. “It is not fool­ish. It is very use­ful for me to learn to climb.” So say­ing he went on scram­bling up the rail­ing of the ban­nis­ters as be­fore.

Just then Beech­nut came along through the yard, to­wards the house. He was com­ing for the whip.

“Beech­nut,” said Mal­leville, “I wish that you would speak to Phon­ny.”

“_Is_ it fool­ish for me to learn to climb?” asked Phon­ny. In or­der to see Beech­nut while he asked this ques­tion, Phon­ny had to twist his head round in a very un­usu­al po­si­tion, and look out un­der his arm. It was ob­vi­ous that in do­ing this he was in im­mi­nent dan­ger of falling, so un­sta­ble was the equi­lib­ri­um in which he was poised up­on the rail.

“Is not he fool­ish?” asked Mal­leville.

Beech­nut looked at him a mo­ment, and then said, as he re­sumed his walk through the en­try,

“Not very;--that is for a boy. I have known boys some­times to do fool­ish­er things than that.”

“What did they do?” asked Phon­ny.

“Why once,” said Beech­nut, “I knew a boy who put his nose in­to the crack of the door, and then took hold of the latch and pulled the door to, and pinched his nose to death. That was a _lit­tle_ more fool­ish, though not much.”

So say­ing Beech­nut passed through the door and dis­ap­peared.

Phon­ny was seized with so vi­olent a con­vul­sion of laugh­ter at the idea of such ab­surd fol­ly as Beech­nut had de­scribed, that he tum­bled off the ban­nis­ters, but for­tu­nate­ly he fell _in_, to­wards the stairs, and was very lit­tle hurt. He came down the stairs to Mal­leville, and as Beech­nut re­turned in a few min­utes with the whip, they all went out to­wards the barn to­geth­er.

Beech­nut had al­ready put the bags of grain in­to the wag­on be­hind, and now he as­sist­ed Phon­ny and Mal­leville to get in. He gave them the whole of the seat, in or­der that they might have plen­ty of room, and al­so that they might be high up, where they could see. He had a small bench which was made to fit in, in front, and which he was ac­cus­tomed to use for him­self, as a sort of driv­er's seat, when­ev­er the wag­on was full. He placed this bench in its place in front, and tak­ing his seat up­on it, he drove away.

When the par­ty had thus fair­ly set out, and Phon­ny and Mal­leville had in some mea­sure fin­ished ut­ter­ing the mul­ti­tude of ex­cla­ma­tions of de­light with which they usu­al­ly com­menced a ride, they be­gan to wish that Beech­nut would tell them a sto­ry. Now Beech­nut was a boy of bound­less fer­til­ity of imag­ina­tion, and he was al­most al­ways ready to tell a sto­ry. His sto­ries were usu­al­ly in­vent­ed on the spot, and were of­ten ex­treme­ly wild and ex­trav­agant, both in the in­ci­dents in­volved in them, and in the per­son­ages whom he in­tro­duced as ac­tors. The ex­trav­agance of these tales was how­ev­er usu­al­ly no ob­jec­tion to them in Phon­ny's and Mal­leville's es­ti­ma­tion. In fact Beech­nut ob­served that the more ex­trav­agant his sto­ries were, the bet­ter pleased his au­di­tors gen­er­al­ly ap­peared to be in lis­ten­ing to them. He there­fore did not spare in­ven­tion, or re­strict him­self by any rules ei­ther of truth or prob­abil­ity in his nar­ra­tives. Nor did he usu­al­ly re­quire any time for prepa­ra­tion, but com­menced at once with what­ev­er came in­to his head, pro­nounc­ing the first sen­tence of his sto­ry, very of­ten with­out any idea of what he was to say next.

On this oc­ca­sion Beech­nut be­gan as fol­lows:

"Once there was a girl about three years old, and she had a large black cat. The cat was of a jet black col­or, and her fur was very soft and glossy. It was as soft as silk.

“This cat was very mis­chievous and very sly. She was _very_ sly: very in­deed. In fact she used to go about the house so very sly­ly, get­ting in­to all sorts of mis­chief which the peo­ple could nev­er find out till af­ter­wards, that they gave her the name of Sli­go. Some peo­ple said that the rea­son why she had that name was be­cause she came from a place called Sli­go, in Ire­land. But that was not the rea­son. It was ver­ita­bly and tru­ly be­cause she was so sly.”

Beech­nut pro­nounced this de­ci­sion in re­spect to the et­ymo­log­ical im­port of the pussy's name in the most grave and se­ri­ous man­ner, and Mal­leville and Phon­ny lis­tened with pro­found at­ten­tion.

“What was the girl's name?” asked Mal­leville.

“The girl's?” re­peat­ed Beech­nut. “Oh, her name was--Ara­bel­la.”

“Well, go on,” said Mal­leville.

“One day,” con­tin­ued Beech­nut, "Sli­go was walk­ing about the house, try­ing to find some­thing to do. She came in­to the par­lor. There was no­body there. She looked about a lit­tle, and present­ly she saw a work-​bas­ket up­on the cor­ner of a ta­ble, where Ara­bel­la's moth­er had been at work. Sli­go be­gan to look at the bas­ket, think­ing that it would make a good nest for her to sleep in, if she could on­ly get it un­der the clock. The clock stood in a cor­ner of the room.

"Sli­go ac­cord­ing­ly jumped up in­to a chair, and from the chair to the ta­ble, and then push­ing the bas­ket along near­er and near­er to the edge of the ta­ble, she at last made it fall over, and all the sewing and knit­ting work, and the balls, and nee­dles, and spools, fell out up­on the floor. Sli­go then jumped down and pushed the bas­ket along to­ward the clock. She fi­nal­ly got it un­der the clock, crept in­to it, curled her­self round in­to the form of a semi­cir­cle in­side, so as just to fill the bas­ket, and went to sleep.

“Present­ly Ara­bel­la came in, and see­ing the spools and balls up­on the floor, be­gan to play with them. In a few min­utes more, Ara­bel­la's moth­er came in, and when she saw Ara­bel­la play­ing with these things up­on the floor, she sup­posed that Ara­bel­la her­self was the rogue that had thrown the bas­ket off the ta­ble. Ara­bel­la could not talk much. When her moth­er ac­cused her of do­ing this mis­chief, she could on­ly say ”No;“ ”no;“ but her moth­er did not be­lieve her. So she made her go and stand up in the cor­ner of the room, for pun­ish­ment, while Sli­go peeped out from un­der the clock to see.”

“But you said that Sli­go was asleep,” said Phon­ny.

“Yes, she went to sleep,” replied Beech­nut, “but she waked up when Ara­bel­la's moth­er came in­to the room.”

Beech­nut here paused a mo­ment to con­sid­er what he should say next, when sud­den­ly he be­gan to point for­ward to a lit­tle dis­tance be­fore them in the road, where a boy was to be seen at the side of the road, sit­ting up­on a stone.

“I ver­ily be­lieve it is Jem­my,” said he.

As the wag­on ap­proached the place where Jem­my was sit­ting, they found that he was bend­ing down over his foot, and moan­ing with, pain. Beech­nut asked him what was the mat­ter. He said that he had sprained his foot dread­ful­ly. Beech­nut stopped the horse, and giv­ing the reins to Phon­ny, he got out to see. Phon­ny im­me­di­ate­ly gave them to Mal­leville, and fol­lowed.

“Are you much hurt?” asked Beech­nut.

“Oh, yes,” said Jem­my, moan­ing and groan­ing; “oh dear me!”

Beech­nut then went back to the horse, and tak­ing him by the bri­dle, he led him a lit­tle way out of the road, to­ward a small tree, where he thought he would stand, and then tak­ing Mal­leville out, so that she might not be in any dan­ger if the horse should chance to start, he went back to Jem­my.

“You see,” said Jem­my, “I was go­ing to mill, and I was rid­ing along here, and the horse pranced about and threw me off and sprained my foot. Oh dear me! what shall I do?”

“Where is the horse?” asked Beech­nut.

“There he is,” said Jem­my, “some­where out there. He has gone along the road. And the bags have fall­en off too. Oh dear me!”

Phon­ny ran out in­to the road, and looked for­ward. He could see the horse stand­ing by the side of the road at some dis­tance, qui­et­ly eat­ing the grass. A lit­tle this side of the place where the horse stood, the bags were ly­ing up­on the ground, not very far from each oth­er.

The sto­ry which Jem­my told was not strict­ly true. He was one of the boys of the vil­lage, and was of a wild and reck­less char­ac­ter. This was, how­ev­er, part­ly his fa­ther's fault, who nev­er gave him any kind and friend­ly in­struc­tion, and al­ways treat­ed him with a great de­gree of stern­ness and sever­ity.

A cir­cus com­pa­ny had vis­it­ed Fran­co­nia a few weeks be­fore the time of this ac­ci­dent, and Jem­my had peeped through the cracks of the fence that formed their en­clo­sure, and had seen the per­form­ers ride around the ring, stand­ing up­on the backs of the hors­es. He was im­me­di­ate­ly in­spired with the am­bi­tion to im­itate this feat, and the next time that he mount­ed his fa­ther's horse, he made the at­tempt to per­form it. His fa­ther, when he found it out, was very an­gry with him, and stern­ly for­bade him ev­er to do such a thing again. He de­clared pos­itive­ly that if he did, he would whip him to death, as he said. Jem­my was silent, but he se­cret­ly re­solved that he would ride stand­ing again, the very first op­por­tu­ni­ty.

Ac­cord­ing­ly, when his fa­ther put the two bags of grain up­on the horse, and or­dered Jem­my to go to mill with them, Jem­my thought that the op­por­tu­ni­ty had come. He had ob­served that the cir­cus rid­ers, in­stead of a sad­dle, used up­on the backs of their hors­es a sort of flat pad, which af­ford­ed a much more con­ve­nient foot­ing than any sad­dle; and as to stand­ing on the naked back of a horse, it was man­ifest­ly im­pos­si­ble for any body but a rope-​dancer. When, how­ev­er, Jem­my saw his fa­ther plac­ing the bags of grain up­on the horse, he per­ceived at once that a good broad and lev­el sur­face was pro­duced by them, which was much more ex­tend­ed and lev­el, even than the pads of the cir­cus-​rid­ers. He in­stant­ly re­solved, that the mo­ment that he got com­plete­ly away from the vil­lage, he would mount up­on the bags and ride stand­ing--and ride so, too, just as long as he pleased.

Ac­cord­ing­ly, as soon as he had passed the house where Phon­ny lived, which was the last house in that di­rec­tion for some dis­tance, he looked round in or­der to be sure that his fa­ther was not by any ac­ci­dent be­hind him, and then climb­ing up first up­on his knees, and af­ter­ward up­on his feet, he drew up the reins cau­tious­ly, and then chirruped to the horse to go on. The horse be­gan to move slow­ly along. Jem­my was sur­prised and de­light­ed to find how firm his foot­ing was on the broad sur­face of the bags. Grow­ing more and more bold and con­fi­dent as he be­came ac­cus­tomed to his sit­ua­tion, he be­gan present­ly to dance about, or rather to per­form cer­tain awk­ward an­tics, which he con­sid­ered danc­ing, look­ing round con­tin­ual­ly, with a min­gled ex­pres­sion of guilt, plea­sure, and fear, in his coun­te­nance, in or­der to be sure that his fa­ther was not com­ing. Fi­nal­ly, he un­der­took to make his horse trot a lit­tle. The horse, how­ev­er, by this time, be­gan to grow some­what im­pa­tient at the un­usu­al sen­sa­tions which he ex­pe­ri­enced--the weight of the rid­er be­ing con­cen­trat­ed up­on one sin­gle point, di­rect­ly on his back, and rest­ing very un­steadi­ly and in­ter­rupt­ed­ly there,--and the bri­dle-​reins pass­ing up al­most per­pen­dic­ular­ly in­to the air, in­stead of de­clin­ing back­wards, as they ought to do in any prop­er po­si­tion of the horse­man. He be­gan to trot for­ward faster and faster. Jem­my soon found that it would be pru­dent to re­strain him, but in his up­right po­si­tion, he had no con­trol over the horse by pulling the reins. He on­ly pulled the horse's head up­wards, and made him more un­easy and im­pa­tient than be­fore. He then at­tempt­ed to get down in­to a sit­ting pos­ture again, but in do­ing so, he fell off up­on the hard road and sprained his an­kle. The horse trot­ted rapid­ly on, un­til the bags fell off, first one and then the oth­er. Find­ing him­self thus whol­ly at lib­er­ty, he stopped and be­gan to eat the grass at the road-​side, whol­ly un­con­cerned at the mis­chief that had been done.

Jem­my's dis­tress was ow­ing much more to his alarm and his sense of guilt, than to the ac­tu­al pain of the in­jury which he had suf­fered. He was, how­ev­er, en­tire­ly dis­abled by the sprain.

“It is rather a hard case,” said Beech­nut, “no doubt, but nev­er mind it, Jem­my. A man may break his leg, and yet live to dance many a horn­pipe af­ter­wards. You'll get over all this and laugh about it one day. Come, I'll car­ry you home in my wag­on.”

“But I am afraid to go home,” said Jem­my.

“What are you afraid of?” asked Beech­nut.

“Of my fa­ther,” said Jem­my.

“Oh no,” said Beech­nut. “The horse is not hurt, and as for the grist I'll car­ry it to mill with mine. So there is no harm done. Come, let me put you in­to the wag­on.”

“Yes,” said Phon­ny, “and I will go and catch the horse.”

While Beech­nut was putting Jem­my in­to the wag­on, Phon­ny ran along the road to­ward the horse. The horse, hear­ing foot­steps, and sup­pos­ing from the sound that some­body might be com­ing to catch him, was at first dis­posed to set off and gal­lop away; but look­ing round and see­ing that it was no­body but Phon­ny he went on eat­ing as be­fore. When Phon­ny got pret­ty near to the horse, he be­gan to walk up slow­ly to­wards him, putting out his hand as if to take hold of the bri­dle and say­ing, “Whoa--Dob­bin,--whoa.” The horse raised his head a lit­tle from the grass, shook it very ex­pres­sive­ly at Phon­ny, walked on a few steps, and then be­gan to feed up­on the grass as be­fore. He seemed to know pre­cise­ly how much re­sis­tance was nec­es­sary to avoid the re­cap­ture with which he was threat­ened.

“Whoa Jack! whoa!” said Phon­ny, ad­vanc­ing again. The horse, how­ev­er, moved on, shak­ing his head as be­fore. He seemed to be no more dis­posed to rec­og­nize the name of Jack than Dob­bin.

[Il­lus­tra­tion: CATCH­ING THE HORSE.]

“Jem­my,” said Phon­ny, turn­ing back and call­ing out aloud, “Jem­my! what's his name?”

Jem­my did not an­swer. He was ful­ly oc­cu­pied in get­ting in­to the wag­on.

Beech­nut called Phon­ny back and asked him to hold his horse, while he went to catch Jem­my's. He did it by open­ing one of the bags and tak­ing out a lit­tle grain, and by means of it en­tic­ing the stray horse near enough to en­able him to take hold of the bri­dle. He then fas­tened him be­hind the wag­on, and putting Jem­my's two bags in, he turned round and went back to car­ry Jem­my home, leav­ing Mal­leville and Phon­ny to walk the rest of the way to Mary Er­sk­ine's. Be­sides their ride, they lost the re­main­der of the sto­ry of Sli­go, if that can be said to be lost which nev­er ex­ist­ed. For at the time when Beech­nut paused in his nar­ra­tion, he had told the sto­ry as far as he had in­vent­ed it. He had not thought of an­oth­er word.